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~ The world is made up of elements, catched by light-writing or assemblage.

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Tag Archives: fotografie

Half timbered houses / vakwerk huizen

10 Tuesday May 2022

Posted by dragermeurtant in art, assemblage, Dada, graphics, History, houses, kunst, landscape, Le Pays, photography, street photography, Uncategorized

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Dada, fotografie, half-timbered, holzschnitt, houses, houtsnede, landscape, photography, vakwerk, woodcut

From early youth, with walks in province of Limburg (NL) I was attracted by half timbered houses.

The architecture consists of a construction with partitions shaped by wooden beams, often made of oak, with in the partitions twigs with loam, later bricks.

Near Slenaken / bij Slenaken, Limburg, NL (Drager Meurtant, 2012)

Van mijn vroege jeugd, met wandeling in Limburg (NL) was ik aangetrokken door vakwerkhuizen.

De bouwstijl bestaat uit een constructie met vakken gevormd door ruwe, veelal wat gekromde balken, vaak van eiken, met in de vakken vroeger takken met leem, later baksteen.

Nu kunst tot m’n dagelijks leven behoort, is er vorm gegeven aan collage – relief van een vakwerkhuis.

“Haus zur Frieden” (Collage – Relief, Drager Meurtant, 2021)

In current time, with art being part of every day’s life, a half timbered hhouse was created with collage-relief.

This year, also wood cut was used to create an image of a hamlock with half timbered homes in the mountains.

Houses and mountains / huizen en bergen (DM, 2022)

En dit jaar is er ook het medium houtsnede aangewend om vorm te geven aan een gehucht in de bergen, bestaande uit vakwerkhuizen.

(for more see http://www.meurtant.exto.org)

A journey in the Pelopónnèsos (Πελοπόννησος) in 1978 (Part II)

15 Tuesday Feb 2022

Posted by dragermeurtant in archeology, Greece, History, landscape, nature, outdoor, photography, street photography, travel

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1978, analogue, fotografie, Greece, landscape, pelopònnésos, Peloponnese, photography

As indicated in previous post (December 11, 2021), my journey in Greece from Dimitsana onward continued as hike mostly on feet, with myself as only company. An imprecise map helped me define Adritsaina as next ‘goal’, and I had the sun, time and a compass as lead. The Arcadian hills grown with small greek oak trees were hot and dry. The day passed without meeting any bipeds, and only a greek turtle crossed my path.

Mountains in Arcadia
Greek tortoise (Testudo graeca) encounter underway

After mid-day, I had to take care not to get over-heated, but some rivers provided refreshment at times.

In hammock of Bardaki (Μπαρδάκι) I was invited – when filling water bottle at local pump – to have retsina and tomato salad in plenty olive oil on the veranda. The hospitable folks advised a cool moment at nearby river Alfeios.

Bardaki (Μπαρδάκι) houses (1)
Bardaki (Μπαρδάκι), the house with veranda

After passing through Andritsaina, and after following a small path through the hills, I came close to a temple with just a few visitors. Some supportive structures had been raised, as an early step towards conservation. It is now an Unesco Monument, and restoration would start in 2001, with a tent (hood) placed over the temple remains. This Temple of Apollo Epicurius at Bassae of Phigaleia has been raised in 5th century BC. In retrospect, the photo is unique with respict to point-of-view.

Temple of Apollo Epicurius at Bassae of Phigaleia, 5th century BC.

At the end of the next day I came to a place, where several big rectangular boulder stones had been neatly arranged providing a plateau to camp. I had arrived at the ancient site of Lycosura (Λυκόσουρα) with the temple of Despoina. At the nearby village an elderly lady had the key to small historic museum, with some big antique statues, and a lot of dust. The entree did cost two drachmes.

Ancient Lykosura (Λυκόσουρα), temple of Despoina (1)
Ancient Lykosura (Λυκόσουρα), temple of Despoina (2)

From there the trip continued on feet or by hitch hiking or bus, via Megalopolis to historic Argos, Mycene and coastal city of Nafplion. On the quay outside this city, several young people camped and took a swim in the sea, not bothering to put on cloths between dives. Several times during the day, a ripple of unrest traveled along this quay, when a police officer came to tell nudity would be punished.

View from port of Nafplion to Palamidi Castle (1978)

From Nafplion, a regular buss service brought tourists to ancient Mycene.

Castle of Mycene, with Agamemnon’s Palace in evening light, empty of tourists
Castle of Agamemnon, Mycene, the Lion Gate

From Nafplion an easy walk along busy motorway brought me to ancient Argos, with its huge amphiteatre.

Ancient Argos amphitheatre

In the city of Argos, a funeral service was hindered by the defect of historic funeral coach.

Motor trouble of funeral coach (Argos, 1978)

Small garages are scattered all over Greece, like here near Nafplion.

By ferry a short visit was brought to Spetse, the island where the book “The Magus” by author John Fowles is situated. By taking some distance to the tourist crowds, – talking about 1978 – at almost all places something of rural Greece could be found. I walked a few miles from the port, and near the lighthouse I got permission from the guard to camp with my little tent, after having accepted the offer of a glass of ouzo and some fresh tomatoes.

Evening view from lighthouse to port of Spetse.

From Spetse another ferry brought me to Pireas and a bus to Athens, and that is where this story ends.

Athens, temple of Zeus

A journey in the Pelopónnèsos (Πελοπόννησος) in 1978 (Part I)

20 Monday Dec 2021

Posted by dragermeurtant in Greece, History, landscape, nature, outdoor, photography, street photography, travel, Uncategorized

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1970s, Arcadia, fotografie, Greece, hike, landscape, mountains, pelopònnésos, Peloponnese, photography, rural

In July 1978 Jaap, a study pal and mountain hike companion, and I made a journey in Greece. We had trekked in several mountain regions since a few years. After arrival in Igoumenitsa by ferry from Brindisi (Italy), we hitchhiked south to Amfilochia in the back of an open truck.

On the road: blue house and honeysuckle

Restaurant (Estiatorion) in Amfilochia
An evening stroll along the promenade of Amfilochia

The next day brought us to Patras, a city with a history of thousands of years. Already inhabited in prehistoric times, it was an important centre in the Mycenean era. After one night camp there, we continued east to small coastal village of Diakofto.

Patras: fruit seller and Jaap posing for photo.

From Diakofto runs the “Odontotos Rack-railway” to Kalavrita. It was built between 1885-1895 and climbs steeply along a distance of 22 km. We followed a path besides and sometimes on the track, that rises in narrow cleft between steep rocks. At times a viper fled from being trapped on.

Ravin being part of Vourakos Gorge with rail track

In a small cafe in Kalavryta, we were met by suspicion and animosity, expressed by elderly woman rejecting to serve us greek coffee. A younger man could explain to her, we were not German but Dutch, and then the suspicion lessened. All this was related to the big massacre by the nazis in 1943, with over 300 men killed and many houses burned.

Walking further, we heard an one-pit motor and the same young man as mentioned above pointed to a nest with six eggs in the load of three wheeled pick-up motorcycle. This gift was followed by his offer to bring us to Anolousi.
Butcher and his wife and slaughtered sheep in Anolousi

Ano Lousi lies on plateau at 1100 m altitude. From here we followed the road to Kata lousi with about as many cars or trucks passing as flocks of sheep.

Plateau with Ano Lousi
The road from Ano Lousi to Kato Lousi
The author walking from Ano Lousi to Kato Lousi (photo by Jaap)

Near the evening we arrived by foot in the small village of Kastria. We explained our whereabouts, to what appeared to be the village elder, and soon were invited to have a glass of ouzo with several most older men at a table. Later, we were invited to join a party planned to visit the cave that had been discovered nearby, a few years earlier, by a shepherd who had lost a sheep. The party would take ‘William’, a former villager who had emigrated to the USA twenty years earlier, and who had just returned for a visit, to the site, and us alongside.

The entrance of the Kastria Cave

No ticket counter of parking for busses, yet to be seen. We were able to enter the cave for about 300 m, with the guide using an old mining-lamp (Davy lamp) and then were stopped by lakes. Nowadays, walking bridges have been created to gain acces much deeper.

Along the road from Kastria to Langadia: shepherd with milk goats

We hiked further to Klitoria and then to Dafni. On the outskirts of the small village of Dafni, there were more than ten threshing circles. These may have been created two thousand years ago… and are located in areas where the wind blows.

Village of Dafni with many threshing circles.
Mule and stake at threshing circle, still in operation.

From Dafni the path led to Langadia, on the busy and touristic road from Olympia to Tripoli. A steep climb to a street 100 m higher brought us back in more rural village atmosphere and we were offered small flat grass plateau for the tent.

Langadia sales man

From Langadia we walked to Dimitsana, about 10 km south. This mountain village at 1000 m height, played important role in Greep revolt against the Turkish occupants. To our great surprise, a Dutch couple arrived soon after we installed our camp outside this village. The surprise became even bigger when they turned out to be neighbours of Jaap. No previous talk about respective travels had been made. The encounter was a pure coincidence…

Historic mountain village of Dimitsana, in 1978

The next day, our path did split, with – Jaap heading for Athens to meet family, and I continued my path alone. This will be part of 2nd blog.

The Answer

25 Saturday Sep 2021

Posted by dragermeurtant in abstract, art, Dada, death, kunst, photography, poem, poetry, poezie, Uncategorized

≈ 1 Comment

Tags

Dada, fotografie, gedicht, kunst, philosophy, photography, poetry, poezie, surrealism

This morning / or was it the other day?

a dead duck knocked on the door,

and did so several times. //

However,

the door did not give in,

but kicked back instead,

it did so with fierce strength. //

Unused to such movement,

this produced great tension,

a sudden ache, and as a result

the door vomited twice

(pain can do this) and decided

to resign from function.

The owner working in the backyard

was informed the same instant. //

All the while, still,

the dead duck had waited in vain

for a clear answer

at a question left

unspoken, but that was

part of the delivery. //

The owner, a clever person,

saw chances

by hiring the dead duck

for an entrance.

(c) Drager Meurtant, text and image, 25-09-2021

Dark and more // Donker en meer

24 Saturday Jul 2021

Posted by dragermeurtant in art, Dada, Decay, destruction, inside, philosophy, photography, poetry, street photography, Uncategorized, Urban nature

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abandoned, Dada, fotografie, industrial, kunst, philosophy, photography, poetry, poezie

Upon the entry of the enormous hall

the dark color on the floor

appeared to be caused by fire.

Arson, the extinction brigade thought

and kept the doors open.

The doors, that with some skylights

gave access to a bleak light

and the photographer.

Windows were not barred

as usual.

Some had had a party

Some had smashed the windows.

Those that aim for an answer

should formulate a question first

(NL tekst onderaan)

dark floor – 1

Dark floor – 2

emergency exit – break cylinder to open // nooduitgang – buisje breken om te openen

One open window

Open window and distant door

leftovers from a party

Broken window

Broken glass

Someone

Question one

Meer dan donker

Na het binnengaan in de enorme hal

bleek de donkere kleur op de vloer

te zijn ontstaan door brand.

Gesticht, dacht de blusbrigade,

en hierna bleven de deuren open,

Die met enkele dakramen

een bleek licht toegang gaven,

evenals de fotograaf.

Sommigen hadden een feestje

Sommigen hadden de ramen ingeslagen

Diegenen die uit is op een antwoord

dient eerst een vraag te stellen.

(c) Drager Meurtant ext & photos, July 24, 2021

Growth and decay / Groei en verval

01 Sunday Nov 2020

Posted by dragermeurtant in death, Decay, mushrooms, nature, natuur, outdoor, photography, Uncategorized

≈ 4 Comments

Tags

bos, forest, fotografie, groei, growth, mushrooms, nature, natuur, paddestoelen, photography

In autumn, of all seasons, the co-existence of growth and decay is most palpable.

In de herfst, van alle seizoenen, is het naast elkaar bestaan van groei en verval het meest tastbaar.

A mycelium of mushrooms feeds and decomposes plant material into organic matter vital for growth of other life.

Het mycelium van paddenstoelen groeit op en verteert plantaardig materiaal in organische materie, die vitaal is voor ander leven.

The form can be delicate and tiny (1)

De vorm kan delicaat en klein zijn (1)

The form can be delicate and tiny (2)

De vorm kan delicaat en klein zijn (2)

The form can be delicate and tiny (3)

De vorm kan delicaat en klein zijn (3)

Sometimes shape is complex and huge

Soms is de vorm complex en reusachtig

Growing in a row

Groei op rij

The color grey

De kleur grijs

The color yellow

De kleur geel

The color red (and white)

De kleur rood (en wit)

Suillellus luridus. Easily mistaken for Boletus Satanus or Devil’s bolete (Rubroboletus satanas), the latter being poisonous.

Suillellus luridus. Kan verwisseld worden met Boletus Satanus or Devil’s bolete (Rubroboletus satanas), waarbij de laatste giftig is.

Growth started and even before a mature form was reached, decay started. A fixed condition becomes fluid.

Groei begon en zelfs voordat een volwassen vorm werd bereikt, startte het verval. Een solide vorm wordt vloeibaar.

Variation in matter

Verschil in materie

Up to the next story

Verder naar het volgende verhaal

Snow in the High Moors / Hautes Fagnes / Hohes Fenn

13 Friday Mar 2020

Posted by dragermeurtant in landscape, nature, outdoor, photography, poetry, Uncategorized

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Belgie, Belgique, fotografie, Hautes-Fagnes, Heuvels, Hills, Hohes Fenn, landscape, photography, poetry, Snow, Winter, woods

A return to the country visited as a kid led to Hautes Fagnes / Hohes Fenn or the High Moors, in Belgium.

DSCF0868

In the eastern, German-speaking part, close to Eupen, presence and memories mingled

DSCF0869

Thursday February 27th, winter arrived, a rare guest this year

DSCF0872

The snow creates silence, when it falls

DSCF0877

Most sounds in the landscape are absorbed, and trees bear heavy white loads, branches bent

DSCF0879

A shed is a hide-out for memories

DSCF0876

And only when the snow is melting, returns the sound of water

DSCF0873

Nearby, dripping from branches or roofs, at distance, the sound of the rivulet running down-hill

DSCF0888

the stream soon retarded and widening into a bassin

DSCF0902

Then leaving around the corner

DSCF0893

Text and images (c) Drager Meurtant, February 2020

Bahnbetriebswerk Bayerischer Bahnhof

20 Thursday Feb 2020

Posted by dragermeurtant in Decay, destruction, outdoor, photography, street photography, structure, Uncategorized

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abandoned, Bahnhof, Bayerischer, fotografie, Grafitti, History, photography, railway, urban

With railways becoming the most important means of transport over land in the 19th century, repair units also had to be established.

Already in 1842, a repair unit for trains was established south of Leipzig (Germany) as the “Bahnbetriebswerk Bayerischer Bahnhof”.
Build in a half-circle, the repair unit allowed several locks to be examined and repaired.
During the second world-war, heavy damage was suffered, with some units repaired after the war, untill around 2000 it was no longer was kept functioning.

Now, kids can play with skates, and grafitti artists take the opportunity to decorate the abandoned place.

Bahnbetriebswerk Bayerischer Bahnhof

Turning circle allowing trains to enter different sections of the repair unit.

 

DSC09973

“Hush, perfection has no name”.

 

DSC09974

The inner state

 

DSC09979

Broken windows (the cat’s view)

 

DSC09976

The circle and the pitts

 

DSC09980

A laugh at a time brings mircacles

 

DSC09985

The crane to lift

 

DSC09986

Heating

 

DSC09991

Transport of paint tubes

 

DSC09992

At the turning point

 

DSC09983

“Hola”

 

DSC09995

Unit to steer currents

Beds and Fences

06 Friday Dec 2019

Posted by dragermeurtant in death, Decay, History, kunst, landscape, outdoor, photography, street photography, Uncategorized

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bed spiral, fence, fotografie, gate, landscape, las hurdes, philosophy, photography, rural, Spain

People often buy a bed, when entering adulthood. A bigger bed, when living (and sleeping) together.

When getting old, the number of hours in bed often increases, even when sleep is more disturbed and irregular.

Then comes the time, that those who used the bed, will pass away.

In some regions, people tend to use the bed spiral base, that is left alone, for other purposes. Preferred is their use as part of a fence or gate.

Walking in Las Hurdes (Spain) in 2018, we encountered several such transformations.

DSC08776

Bed spiral turned into a fence (1)

 

DSC08782

Bed spiral turned into a fence (2)

 

DSC08777

Bed spiral turned into a fence (3)

 

DSC08714

Bed spiral turned into a fence (4)

One must not be surprised by the fact, that in the same environment, the number of abandoned houses is high.

DSC08746

House abandoned in Las Hurdes (Spain)

It need more research, to establish whether the transformation of (usable?) bed spirals inherited from parents or grandparents, is caused by unwillingness to sleep on such elements earlier used by people that have passed away, or by the wish to have better quality. Yet, the transformation into fences or gates has significance as signal of the border of states of existence.

 

DSC08786

“Curiosity and strangers / are good partners” (Las Hurdes, Spain, photos and text Drager Meurtant, 2018-2019)

A house in the mountains

30 Wednesday Oct 2019

Posted by dragermeurtant in art, Decay, Greece, History, landscape, outdoor, photography, poetry, poezie, street photography, Uncategorized

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abandonned, bergen, Decay, departure, fotografie, Greece, Home, landscape, Macedonia, mountains, quiet, remote

There was someone, who built a home.

DSC09669

There was a home, built by someone, once.

DSC09670

Friends helped at times, I’m sure.

DSC09671

Someone is no more, at least not here.

DSC09673

(Perhaps this someone, is now in a senior home elsewhere)

DSC09672

The home gradually, becomes less, and less.

DSC09674

A view from the kitchen window

 

Outside, flowers grow.

DSC09667

(Travel in Macedonia, Greece. West of Orma, in the mountains, May 2019.)

(c) Drager Meurtant

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