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drager-meurtant

~ The world is made up of elements, catched by light-writing or assemblage.

drager-meurtant

Tag Archives: fotografie

Stone Walls

17 Monday Jun 2024

Posted by dragermeurtant in archeology, Decay, defense, History, landscape, photography, society, Spain

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art, Castel, Decay, featured, fotografie, History, landscape, photography, poetry, Ruins, Spain, writing

(Castillo de Villalba en Cebolla, Toledo, Spain)

Stones were raised by many

hands and backs bend,

to create the walls for protection.

Castillo de Villalba en Cebolla – I

Begging for a raise

of pay did not work.

The trade-unions still had to be

invented.

Castillo de Villalba en Cebolla – II

Romans were forgotten

their road nearby used

for later people’s needs.

Castillo de Villalba en Cebolla – III

Foundations had been laid by

Islamic rule, in the XI – XII century,

while in later ages the Order of Templars

(los templarios) enforced the construction

and the walls were thick.

Castillo de Villalba en Cebolla – IV

The fortification aimed

to defend the strategic route

near the river Tajo along which

merchandise travelled.

Castillo de Villalba en Cebolla – V

Rulers that lived inside

the walls such as Juan-II of Castille,

did hold the reins of

arrogance.

Castillo de Villalba en Cebolla – VI

Thick walls are not meant

for enlightened minds.

all photos and texts (c) Drager Meurtant, May 17, 2018 – June 17, 2024

The real powers

19 Friday Apr 2024

Posted by dragermeurtant in nature, natuur, outdoor, philosophy, poetry

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fotografie, nature, photography, poetry, poezie, spring

Once green leaves unfold

touched by light inevitable,

and the tumult of bulletins of war

is quenched by the streams

of food and fluids that trees use

to establish a firm dictate of spring,

then those with arms and bullets

are dislodged into an obscure abyss of

irrelevance and oblivion, from

which escape can only occur by 

pushing by press agencies.

Other forces are minute and unheard

yet unstoppable, such as time

and the sequence of seasons,

the need felt by birds to sing

in spring.

And here and now

I must give way, since no words

can catch this inner drive to

flourish and to follow the laws

of nature.

The path we might follow

runs back in time, where the past

has taken firm position, in anger

fuelled by neglect and

by being overlooked.

Photos and text by Drager Meurtant, April 2024

Transformation

10 Sunday Mar 2024

Posted by dragermeurtant in art, assemblage, Dada, Decay, inside, kunst, photography, poetry, stones, street photography

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Tags

abandoned, art-with-a-mission, Dada, fotografie, History, kunst, leerfabriek, photography, poetry, poezie, travel

A visit to old leather factory in Oisterwijk (NL) May 8, 2014, combined with a view of paintings by WOLS in Museo Sofia Reina in the same year, Madrid (E) made me create assemblage.

old leather factory in Oisterwijk

With group of 12 photographers, we were allowed to search for good places to photograph.

One Way Out

One way out

“So, there is only one way out. // But there are no stairs. // There is no rope, no trampoline. // You have no wings even. // Knowing that the heat will become intolerable / how do you get out?!”

Concrete benches for machines
Crypt in the “church” named Leather Factory Oisterwijk, NL

Not to be seated

“Here one stands in awe / and one’s mind lingers / about those, who once were sitting on the benches. // But after what happened / the holiness of this sacred site / does not allow anyone to be seated here / anymore.”

Three Trestles under the Hatch

“Three trestles under the hatch: Even, / if the memory / of an empty room / with stone trestles, that once

all photos, texts & art (c) Drager Meurtant, 2014 – 2024


Terrace on the River Rhine / Terras aan de Rivier de Rijn)

29 Monday Jan 2024

Posted by dragermeurtant in poetry, river

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Dada, fotografie, gedicht, kunst, philosophy, photography, poetry, poezie

Today, the world looked safer / without sirens, no shooting till 14 hours / and the car moved smoothly

accross the border / separating two countries for long / only in war having been united by force.

One hour later, the friends did meet / first time in almost 4 months.

It took two hours to talk down / the big C that shaped lives / and for leaving the extra coat / worn for safety.

And then they took a dive where it was / forbidden / followed by coffee on / a terrace looking at the river Rhine.

(terras aan de rivier de Rijn)

Vandaag kwam de wereld veiliger over / zonder sirenes, geen schieten tot 14 uur / en de auto bewoog langzaam / langs de grens / die de twee landen lang had gescheiden / alleen verenigd in de oorlog / door macht.

Eén uur later, ontmoetten de vrienden / elkaar voor het eerst in bijna vier maanden. / Het nam twee uur om de grote C / omlaag te praten, die het leven beheerste / en om de extra jas – gedragen voor de veiligheid – achter te laten.

En toen doken ze in het water waar het verboden was / gevolgd door koffie op / een terras dat uitkeek op de rivier de Rijn.

Drager Meurtant, June 24, 2020 (during lift of first Covid19 lockdown, minor corrections Jan 29, 2024)

Golven (tijd) / Surges (time)

30 Sunday Jul 2023

Posted by dragermeurtant in Decay, France, History, houses, Le Pays, outdoor, photography, poetry, stones, structure

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abandonment, Decay, fotografie, landscape, philosophy, photography, poetry, verval

When stones dance and move along the rythm of the surges of flowing times // and take a leave from the geometry imposed by builders seeking comfort and utility // and trees push out residing memories or on some occasion take place side by side // then eyes may wander in slow pace, step by step.

Wanneer stenen dansen en bewegen op het ritme van de golven van de tijdstroom en verlof nemen van de geometrie, opgelegd door bouwers die comfort en nuttig gebruik zochten // en bomen er de gezetelde herinneringen wegduwen; bij gelegenheid naast elkaar plaats nemen // dan kunnen ogen hier zwerven in langzaam bewegen, stap voor stap.

(Drager Meurtant, analog photo in The Provence, early 1980s, text 2017)

Binnen of Buiten – Grenzen en Begrenzingen

01 Saturday Apr 2023

Posted by dragermeurtant in tentoonstelling, Uncategorized

≈ 1 Comment

Tags

begrenzingen, borders, boundaries, fotografie, grenzen, kunst, photography, poetry, poezie, sociologie

(With)in or (With)out – Borders and Boundaries

“We gaan op weg, ja, maar overal botsen we op grenzen:
Grenzen die anderen stellen: fysiek, met douanecontrole, hoge hekken of soms zelfs met landmijnen.
Of we botsen op limieten in normen en moraal.
En, vroeger of later stuiten we op grenzen die ons lijf of geest tegenkomt”

Tentoonstelling in Kunstruimte De Melkfabriek, ‘s-Hertogenbosch, 27 mei tm 18 juni, 2023

Drager Meurtant – Staande voor het hek, lino-snede, 2018

Achttien kunstenaars uit acht landen laten hun visie zien in beeld of woord. In bijgaand boek tevens vijf essays van Richard Candidá Smith, Zhinia Noorian, David Estrada, George Kabel en Drager Meurtant, en achtergrondinformatie over over achtergrond en motief van de kunstenaars en beeldmateriaal.

Deelnemende kunstenaars

Initiatief van kunstenaars Drager Meurtant (NL), Jeanine Keuchenius (NL) en Petra Senn (D)

Verder nemen deel:

Katherine Chang-Liu (USA), Brian Dickerson (USA), Nina Fraser (Portugal), Joris van Gennip (NL), Carlo Grassini & Bill Thomas (USA), Sylvia Hubers (NL), Michal Iwanoski (Poland / UK), George Kabel (NL), Max King Cap (USA), Anna-Maria Komorowska (D), Oliver Merce (RO), Dorothee Mesander (GR), Ruth Philo (UK), Martien Vogelesang (NL).

The Milkfactory / De Melkfabriek, Guldenvliesstraat4H, 5211 AM, ‘s Hertogenbosch, The Netherlands

Brian Dickerson: ‘Vroman’ is een drie-dimensionaal ‘constructed painting’ dat aansluit bij het thema ‘Grenzen en Begrenzingen’ door het loslaten van vaste, fysieke posities

Preview (op uitnodiging) op 26 mei vanaf 15 uur

Formele opening 27 mei 14 – 17 uur

Openingstijden: Za 27/5, Zo 28/5, Ma 29/5, Za 3/6, Zo 4/6, Za 10/6, Zo 11/6, Za 17/6, Zo 18/6

Dagelijks van 13 – 17 uur.

Bill Thomas & Carlo Grassini – Welcome, collage, 2021

Half timbered houses / vakwerk huizen

10 Tuesday May 2022

Posted by dragermeurtant in art, assemblage, Dada, graphics, History, houses, kunst, landscape, Le Pays, photography, street photography, Uncategorized

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Dada, fotografie, half-timbered, holzschnitt, houses, houtsnede, landscape, photography, vakwerk, woodcut

From early youth, with walks in province of Limburg (NL) I was attracted by half timbered houses.

The architecture consists of a construction with partitions shaped by wooden beams, often made of oak, with in the partitions twigs with loam, later bricks.

Near Slenaken / bij Slenaken, Limburg, NL (Drager Meurtant, 2012)

Van mijn vroege jeugd, met wandeling in Limburg (NL) was ik aangetrokken door vakwerkhuizen.

De bouwstijl bestaat uit een constructie met vakken gevormd door ruwe, veelal wat gekromde balken, vaak van eiken, met in de vakken vroeger takken met leem, later baksteen.

Nu kunst tot m’n dagelijks leven behoort, is er vorm gegeven aan collage – relief van een vakwerkhuis.

“Haus zur Frieden” (Collage – Relief, Drager Meurtant, 2021)

In current time, with art being part of every day’s life, a half timbered hhouse was created with collage-relief.

This year, also wood cut was used to create an image of a hamlock with half timbered homes in the mountains.

Houses and mountains / huizen en bergen (DM, 2022)

En dit jaar is er ook het medium houtsnede aangewend om vorm te geven aan een gehucht in de bergen, bestaande uit vakwerkhuizen.

(for more see http://www.meurtant.exto.org)

A journey in the Pelopónnèsos (Πελοπόννησος) in 1978 (Part II)

15 Tuesday Feb 2022

Posted by dragermeurtant in archeology, Greece, History, landscape, nature, outdoor, photography, street photography, travel

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1978, analogue, fotografie, Greece, landscape, pelopònnésos, Peloponnese, photography

As indicated in previous post (December 11, 2021), my journey in Greece from Dimitsana onward continued as hike mostly on feet, with myself as only company. An imprecise map helped me define Adritsaina as next ‘goal’, and I had the sun, time and a compass as lead. The Arcadian hills grown with small greek oak trees were hot and dry. The day passed without meeting any bipeds, and only a greek turtle crossed my path.

Mountains in Arcadia
Greek tortoise (Testudo graeca) encounter underway

After mid-day, I had to take care not to get over-heated, but some rivers provided refreshment at times.

In hammock of Bardaki (Μπαρδάκι) I was invited – when filling water bottle at local pump – to have retsina and tomato salad in plenty olive oil on the veranda. The hospitable folks advised a cool moment at nearby river Alfeios.

Bardaki (Μπαρδάκι) houses (1)
Bardaki (Μπαρδάκι), the house with veranda

After passing through Andritsaina, and after following a small path through the hills, I came close to a temple with just a few visitors. Some supportive structures had been raised, as an early step towards conservation. It is now an Unesco Monument, and restoration would start in 2001, with a tent (hood) placed over the temple remains. This Temple of Apollo Epicurius at Bassae of Phigaleia has been raised in 5th century BC. In retrospect, the photo is unique with respict to point-of-view.

Temple of Apollo Epicurius at Bassae of Phigaleia, 5th century BC.

At the end of the next day I came to a place, where several big rectangular boulder stones had been neatly arranged providing a plateau to camp. I had arrived at the ancient site of Lycosura (Λυκόσουρα) with the temple of Despoina. At the nearby village an elderly lady had the key to small historic museum, with some big antique statues, and a lot of dust. The entree did cost two drachmes.

Ancient Lykosura (Λυκόσουρα), temple of Despoina (1)
Ancient Lykosura (Λυκόσουρα), temple of Despoina (2)

From there the trip continued on feet or by hitch hiking or bus, via Megalopolis to historic Argos, Mycene and coastal city of Nafplion. On the quay outside this city, several young people camped and took a swim in the sea, not bothering to put on cloths between dives. Several times during the day, a ripple of unrest traveled along this quay, when a police officer came to tell nudity would be punished.

View from port of Nafplion to Palamidi Castle (1978)

From Nafplion, a regular buss service brought tourists to ancient Mycene.

Castle of Mycene, with Agamemnon’s Palace in evening light, empty of tourists
Castle of Agamemnon, Mycene, the Lion Gate

From Nafplion an easy walk along busy motorway brought me to ancient Argos, with its huge amphiteatre.

Ancient Argos amphitheatre

In the city of Argos, a funeral service was hindered by the defect of historic funeral coach.

Motor trouble of funeral coach (Argos, 1978)

Small garages are scattered all over Greece, like here near Nafplion.

By ferry a short visit was brought to Spetse, the island where the book “The Magus” by author John Fowles is situated. By taking some distance to the tourist crowds, – talking about 1978 – at almost all places something of rural Greece could be found. I walked a few miles from the port, and near the lighthouse I got permission from the guard to camp with my little tent, after having accepted the offer of a glass of ouzo and some fresh tomatoes.

Evening view from lighthouse to port of Spetse.

From Spetse another ferry brought me to Pireas and a bus to Athens, and that is where this story ends.

Athens, temple of Zeus

A journey in the Pelopónnèsos (Πελοπόννησος) in 1978 (Part I)

20 Monday Dec 2021

Posted by dragermeurtant in Greece, History, landscape, nature, outdoor, photography, street photography, travel, Uncategorized

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1970s, Arcadia, fotografie, Greece, hike, landscape, mountains, pelopònnésos, Peloponnese, photography, rural

In July 1978 Jaap, a study pal and mountain hike companion, and I made a journey in Greece. We had trekked in several mountain regions since a few years. After arrival in Igoumenitsa by ferry from Brindisi (Italy), we hitchhiked south to Amfilochia in the back of an open truck.

On the road: blue house and honeysuckle

Restaurant (Estiatorion) in Amfilochia
An evening stroll along the promenade of Amfilochia

The next day brought us to Patras, a city with a history of thousands of years. Already inhabited in prehistoric times, it was an important centre in the Mycenean era. After one night camp there, we continued east to small coastal village of Diakofto.

Patras: fruit seller and Jaap posing for photo.

From Diakofto runs the “Odontotos Rack-railway” to Kalavrita. It was built between 1885-1895 and climbs steeply along a distance of 22 km. We followed a path besides and sometimes on the track, that rises in narrow cleft between steep rocks. At times a viper fled from being trapped on.

Ravin being part of Vourakos Gorge with rail track

In a small cafe in Kalavryta, we were met by suspicion and animosity, expressed by elderly woman rejecting to serve us greek coffee. A younger man could explain to her, we were not German but Dutch, and then the suspicion lessened. All this was related to the big massacre by the nazis in 1943, with over 300 men killed and many houses burned.

Walking further, we heard an one-pit motor and the same young man as mentioned above pointed to a nest with six eggs in the load of three wheeled pick-up motorcycle. This gift was followed by his offer to bring us to Anolousi.
Butcher and his wife and slaughtered sheep in Anolousi

Ano Lousi lies on plateau at 1100 m altitude. From here we followed the road to Kata lousi with about as many cars or trucks passing as flocks of sheep.

Plateau with Ano Lousi
The road from Ano Lousi to Kato Lousi
The author walking from Ano Lousi to Kato Lousi (photo by Jaap)

Near the evening we arrived by foot in the small village of Kastria. We explained our whereabouts, to what appeared to be the village elder, and soon were invited to have a glass of ouzo with several most older men at a table. Later, we were invited to join a party planned to visit the cave that had been discovered nearby, a few years earlier, by a shepherd who had lost a sheep. The party would take ‘William’, a former villager who had emigrated to the USA twenty years earlier, and who had just returned for a visit, to the site, and us alongside.

The entrance of the Kastria Cave

No ticket counter of parking for busses, yet to be seen. We were able to enter the cave for about 300 m, with the guide using an old mining-lamp (Davy lamp) and then were stopped by lakes. Nowadays, walking bridges have been created to gain acces much deeper.

Along the road from Kastria to Langadia: shepherd with milk goats

We hiked further to Klitoria and then to Dafni. On the outskirts of the small village of Dafni, there were more than ten threshing circles. These may have been created two thousand years ago… and are located in areas where the wind blows.

Village of Dafni with many threshing circles.
Mule and stake at threshing circle, still in operation.

From Dafni the path led to Langadia, on the busy and touristic road from Olympia to Tripoli. A steep climb to a street 100 m higher brought us back in more rural village atmosphere and we were offered small flat grass plateau for the tent.

Langadia sales man

From Langadia we walked to Dimitsana, about 10 km south. This mountain village at 1000 m height, played important role in Greep revolt against the Turkish occupants. To our great surprise, a Dutch couple arrived soon after we installed our camp outside this village. The surprise became even bigger when they turned out to be neighbours of Jaap. No previous talk about respective travels had been made. The encounter was a pure coincidence…

Historic mountain village of Dimitsana, in 1978

The next day, our path did split, with – Jaap heading for Athens to meet family, and I continued my path alone. This will be part of 2nd blog.

The Answer

25 Saturday Sep 2021

Posted by dragermeurtant in abstract, art, Dada, death, kunst, photography, poem, poetry, poezie, Uncategorized

≈ 1 Comment

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Dada, fotografie, gedicht, kunst, philosophy, photography, poetry, poezie, surrealism

This morning / or was it the other day?

a dead duck knocked on the door,

and did so several times. //

However,

the door did not give in,

but kicked back instead,

it did so with fierce strength. //

Unused to such movement,

this produced great tension,

a sudden ache, and as a result

the door vomited twice

(pain can do this) and decided

to resign from function.

The owner working in the backyard

was informed the same instant. //

All the while, still,

the dead duck had waited in vain

for a clear answer

at a question left

unspoken, but that was

part of the delivery. //

The owner, a clever person,

saw chances

by hiring the dead duck

for an entrance.

(c) Drager Meurtant, text and image, 25-09-2021

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