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drager-meurtant

~ The world is made up of elements, catched by light-writing or assemblage.

drager-meurtant

Category Archives: philosophy

Advise to Leave

08 Friday Sep 2023

Posted by dragermeurtant in art, death, defense, demography, development, History, installation, kunst, philosophy, poetry, society, tentoonstelling

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borders, Dada, kunst, Migration, philosophy, poetry

Drager Meurtant, “Frontex – 1”, 2023

Migration in animals and humans is of all times.

Often the drive is caused by the wish / need to improve living conditions and procreation.

However, the effects may be a disaster for groups indigenous for a specific area. The Black Death, or plague, caused by Yersinia Pestis is related to migration due to war or trade. In the Americas, the arrival of European conquerers did lead to massive slaughter by violence and introduction of diseases for which native people were very vulnerable.

In the 21st century, migration is composed of people hired by companies as well as refugees from counries stricken by war and / or poverty. Increasingly, migration is caused by consequences of climate change.

There is often resitance against the arrival of migrants, often with focus most at refugees.

Walls are created in Europe that exceed mileage manyfold as compared to the former ‘Iron Curtain’.

Still, demographic changes in Europe and some other areas lead to a shift towards old age and insufficient numbers of young workers to keep business going, and threats of deficient care for elderly people…

At NDSM-Fuse the exhibition – curated by Ellen Klijzing – with 35 artists has focus on the experience of refugees.

The contribution of Drager Meurtant deals with slogans / banners telling refugees to

“Go To Hell = If You Are Not From Here”

Next to the banner with this text, separate words on pieces of wood, as advised by the curator, are present to charge visitors in seeking for word combinations.

Drager Meurtant, “Frontex – 2”. 2023

Finally, the letters cut from carton to serve as template for the painted banner, are assembled as collage with additional transformation.

Drager Meurtant, “Frontex – 3”, 2023

NDSM-Fuse ON THE RUN (OP DE VLUCHT), September 1st 2023 – January 28th, 2024.

Amsterdam, NDSM-plein.

https://www.ndsm-fuse.eu/programma.html#content1-17f

Opposing, but no real harm done

08 Tuesday Nov 2022

Posted by dragermeurtant in art, Dada, Figurative art, graphics, kunst, philosophy, poetry, poezie, society

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animals, Dada, gedicht, horses, kunst, monoprint, opposition, philosophy, poetry, poezie, Tegenstelling

“The view of the other is confronting,

even dangerous, perhaps

threatening our lives”.

For horses

opposition may mean a bruise

or a bite

but no deep animosity

and mounting hard-feelings.

Misanthropy has no equine

equivalant.

Tegengesteld, zonder echt te kwetsen

“De kijk van de ander is confronterend,

zelfs gevaarlijk, misschien

voor ons levensbedreigend.”

Bij paarden,

betekent tegenstelling een beurse plek

of een beet

maar geen diepe vijandigheid

en groeiende animositeit.

Misanthropie kent geen

paarden equivalent.

(poetry and monoprint, DM, 2022, http://www.meurtant.exto.org))

Thinking about earlier times / Denkend aan vroegere tijden

19 Sunday Jun 2022

Posted by dragermeurtant in abstract, archeology, art, creation, Dada, death, graphics, Greece, History, mental health, philosophy, poem, poetry

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Dada, gedicht, grafiek, Greece, linocut, linosnede, philosophy, poetry, poezie

Clouds and sun, and earth:
where I rest, there is
crumbly clay that harbours
the memory of a face, of
a jar in Hellas,
of a teacher at school.

Lino-cut / linosnede, DM, 2021

Wolken en zon en aarde:
waar ik rust, daar koestert
kruimelige klei de herinnering
van een gezicht, van
een kruik in Hellas,
van een leraar op school.

Graphics edition one (DM, 25-05-2021), poem 03-04-2022

Dark and more // Donker en meer

24 Saturday Jul 2021

Posted by dragermeurtant in art, Dada, Decay, destruction, inside, philosophy, photography, poetry, street photography, Uncategorized, Urban nature

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abandoned, Dada, fotografie, industrial, kunst, philosophy, photography, poetry, poezie

Upon the entry of the enormous hall

the dark color on the floor

appeared to be caused by fire.

Arson, the extinction brigade thought

and kept the doors open.

The doors, that with some skylights

gave access to a bleak light

and the photographer.

Windows were not barred

as usual.

Some had had a party

Some had smashed the windows.

Those that aim for an answer

should formulate a question first

(NL tekst onderaan)

dark floor – 1

Dark floor – 2

emergency exit – break cylinder to open // nooduitgang – buisje breken om te openen

One open window

Open window and distant door

leftovers from a party

Broken window

Broken glass

Someone

Question one

Meer dan donker

Na het binnengaan in de enorme hal

bleek de donkere kleur op de vloer

te zijn ontstaan door brand.

Gesticht, dacht de blusbrigade,

en hierna bleven de deuren open,

Die met enkele dakramen

een bleek licht toegang gaven,

evenals de fotograaf.

Sommigen hadden een feestje

Sommigen hadden de ramen ingeslagen

Diegenen die uit is op een antwoord

dient eerst een vraag te stellen.

(c) Drager Meurtant ext & photos, July 24, 2021

Today was different

08 Monday Mar 2021

Posted by dragermeurtant in Le Pays, mental health, mushrooms, nature, natuur, outdoor, philosophy, photography, poetry, poezie, Uncategorized

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artefacts, Decay, forest, History, nature, poetry, wood

(A note with images from March 7, 2021)

Today was different: it started grey and fairly cold. One year of 21st century pandemic, has certain effects. Dominant is the feeling of uncertainty. There are roadblocks at the border. Still, after six months with meetings by ‘skype’ only, the three of us met at small parking-place, to walk in the forest.

three photographers meet one tree

No kissing or hugging, we focus on nature, and some human acts.

inscriptions from earlier date

One should not carve in skin of trees, but testimonies often are built on scars.

yet another scar

Going north, a logger had felled a tree and new life settled on the cut surface.

The face of a logger

Tiny leaves left from autumn, have shadows imprinted on bark.

fragile shadows

About fifty years ago, someone planted stakes on (and with a) purpose. One straight, the other leaning for support, joined with an iron nail.

so much at stake

Here, there is quietude, and the option to choose which way to go.

the other way

At another time, one may meet a fellow traveler on this earth, his/her shelter being a hole in the ground.

Fox hole

Someone took a token of belief, and by placing it in old tree trunk, fixed time and memory.

token

The clefts and riggles of bark of this birch tree surpass abstraction.

birch

“Three of us is enough: not afraid of tension or to separate fields,
and create boundaries”

the three of us

text and images (c) Drager Meurtant, March 7-8, 2021

The reason hid in a distant place / De rede was ver te zoeken

22 Friday Jan 2021

Posted by dragermeurtant in landscape, nature, natuur, outdoor, philosophy, photography, poem, poetry, poezie

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aim, doel, filosofie, goal, nature natuur, philosophy, quest, zoektocht

the beginning / het begin
on the way / onderweg

Only after crossing trenches / and brooks, and raising / fallen trees upright, // followed by rubbing out / the dirty ground from narrow eyes, // and by calling loud: “I’m alone!” // motion started behind / the bushes.

Slechts na oversteek van greppels / en kreken, en het rechtzetten / van omgevallen bomen, // waarna de vuile grond uit geknepen ogen / werd gewreven , // en door luid te roepen: “ik ben alleen!” // kwam er beweging vanachter / het struikgewas.

wide canal // brede sloot
deep laying brook / diep gelegen beek

One thought, it is a goat, / fastened with ties and anxious, // the other believed to perceive / a superior power.

De één dacht, het is een geit, / vastgebonden en angstig, // de ander meende, een hogere macht / te ontwaren.

But something unmentionable / crept forward: “reason evades an explanation.”

Maar iets onnoembaars kroop / te voorschijn: “de rede laat zich niet verklaren”

Wheeling

16 Wednesday Dec 2020

Posted by dragermeurtant in Dada, Decay, development, landscape, nature, natuur, outdoor, philosophy, photography, society, street photography, Uncategorized, Urban nature

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nature, photography, surrealism, urban

There came a day that the car needed a new wheel and we walked in the neigbourhood. The camera was in the backpack not for long.

in need of repair

This was a typical area of trade and operations, and in between there was a small area of bushes and trees.

invite for a moment of rest

Small spots of green (nature?) amids urban environment, easily brings surreal experiences.

co-existence

Buildings and trees share a relation with height.

aside

These are trees, the Dutch call ‘Acacia’, but wikipedia says Robinia pseudoacacia, or ‘false acacia’

nature looks at apartments in high buildings (8 stocks)

And looking one direction, an endless green nature expands for about 60 meter.

survival

While the other way, preparations to build new quarter are under way…

Wirixstraat

And, the destructive nature of humankind is visible in this trolley

victim number 22

It is not good enough, to steal and leave such lorrey, no, it must be smashed…

urban trees

Can trees survive without buildings?

wheeling

The walk brought the aim of our trip, in a different format.

red, light, windows, reflections and bicycle

The last minutes of the time we had to wait, withing the dealer’s compound.

Message to suburban elements

02 Friday Oct 2020

Posted by dragermeurtant in History, kunst, mental health, philosophy, poetry, poezie, street photography, Uncategorized

≈ 1 Comment

Tags

environment, evolution, History, image, poetry, time

In order to divert your obsessive thinking about poor developments in the world order, close your eyes and ears, and take note:

What’s up there?

What’s there / up there?
just look, and think:
why?

Now that you are attentive, consider this:

Itching

Thre thre thre / dam ach sto gho per /

sell Rome never / sell less than ever /

you say words / just that /

words that itch / just that

empty mouth / movements

in vain action / of jaw muscles

The solution will not arrive from understanding, but acception might.

Clear water

Clear water is essential / in the acception of future events /

even if dark elements take control / over our movement /

and our experience gets blurred / by our inability to understand /

time / as the power of movement / and standstill.

Do not take things as these are, but start by improving yourself

Ancient Stones

19 Wednesday Jun 2019

Posted by dragermeurtant in archeology, Greece, History, landscape, outdoor, philosophy, photography, society, Uncategorized

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archeology, fotografie, Greece, History, landscape, Macedonia, Petres, philosophy, photography

In countries like Greece, the visitor must rely on stones to get a grasp of history and important developments of culture.

During a short journey in May 2019, In the department of Pella, Macedonia, Greece, we followed signs indicating “Ancient Archeological Site of Petres”.

When arriving there, and having parked the rented car and after walking about 400 m, the most surprising elements to us, were ancient big jars, present in many houses, that had been installed to store water (photo 1).

ancient Petres-1

Looking at the plan of the small city, with rectangular houses, one starts to imagine people walking here, more than two thousand years ago. Discussing family affairs, the harvest, trade, threats… (photo 2).

Ancient Petres-2

The firm conclusion was: use talk, or writing, as social medium.

Information about the history of Ancient Petres:

“The ancient city occupies a natural mound to the NW of the village of Petres, in the region of Florina. Its total area reached 15-20 hectares and was protected by a fortification wall built of poros stone. The enclosed area included houses, and public buildings erected in a free layout, separated by streets, 2.5 m. wide. The city was founded in the 3rd century B.C. by Antigonos Gonatas, it flourished in the 2nd century B.C. and it ceased to exist in the 1st century B.C. It was again inhabited in the Roman period, but it moved to a different site.

The archaeological evidence leads to the conclusion that the city owed its development to its strategic position on the Egnatia Road and to its commercial exchanges with other Greek cities. The excavations of the site revealed useful information on the types of the private houses, which were continuously used in north-west Macedonia as late as the 19th century.

Excavations on the site were begun in 1982 and are still in progress, along with restoration and consolidation work of the ancient remains.

Wikimapia, with use of infomation of: http://odysseus.culture.gr/h/3/eh352.jsp?obj_id=2653,

 

Judges Report Final Round Figurative Art in Three Dimensions

31 Friday May 2019

Posted by dragermeurtant in abstract, art, Art competition, Dada, Figurative art, installation, kunst, philosophy, photography, street photography, structure, Uncategorized

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3-D, abstract, Dada, decision, fotografie, installation, instruction, jury, kunst, nothingness, photography, ready-made, report, Spain, subversive, three-dimensional, wall

Judges Report Final Round Figurative Art in Three Dimensions

XXth Competion at Art Center VIMOMUX, year 2019

After thorough deliberation, trying to reach consensus and equal imput of the members of the jury, a final decision was reached on the three submitted art-peaces created by Drager Meurtant (NL, 1951)

During the process, the five members from the jury weighed the pros and cons of artistic protuberances, by applying the elementary principles prescribed for separation of figurative versus abstract (Instruction Report #A12B-567, 1983).

DSC08681

“Sorry Jean”

Art-peace One: “Sorry Jean” (2018)

Comments: the raw, primitive nature of the semi-figurative concrete relief, associates firmly with the wall and hence, the placement creates an actuality in addressing contemporary trauma. The integrative character expressed by the circumstantial placement on pre-existing background, makes the art an holistic event. The wholeness further enhances the pertinent relation with contemporary queries into the genesis of soul as sole force feeding eternality.

Decision: accept.

solitary traveller

“Solitary Traveller”

Art-peace Two: “Solitary Traveller” (2018)

Comments: this ready-made, sculptural figuration really transpires the solitude, as the title implicates. By referring to the multiple miniature quadrants, the depth of research is enhanced, for the validity of use of objects – that in their history served a different role – in art practice, as this was first employed by Marcel Duchamp (Bicycle Wheel, 1913) or even earlier by the DaDa artist Elsa, the Baroness of Freytag-Loringhoven, with her Enduring Ornament (1913).

The blackish color reflects the loss of relevance of this art-medium for many art-historians. The use of one-sided lighting anguishes the perception by the viewer, in it’s ineluctable blow of the flow of time towards the end, without escape. In this way, the figure announces death, as already can be derived from the two title words.

Decision: accept.

20190409_122706

“The Triangle”

Art-peace three: “The triangle” (2019)

Comments: the narrow margin lifting this work from two- into three dimensions serves a function as to elude from fixed barriers, frames and borders. The material applied, and the colors that follow at (superb) lighting are enchanting the spectator. With experience, however, the true meaning comes into vision: a play with prejudice, superstition and ordinary judgement. The host – when placed oppositive this well-crafted work, becomes a graft not able to suppress the primary reaction of being placed in a hostile environment. This conflict deepens the experience, since doubt opens the mind.

Decision: accept (special honor).

Members of the Jury:

Jacques de Santo Torres (chair)

Anna Viltan Navon (secretary)

Karl Hütting Wltack (member)

Vladimir Brosvokic (member)

Faith Runungongo (member)

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