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drager-meurtant

~ The world is made up of elements, catched by light-writing or assemblage.

drager-meurtant

Tag Archives: kunst

VERS VAN DE PERS!

02 Monday Sep 2024

Posted by dragermeurtant in exhibition, Uncategorized

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's-Hertogenbosch, De Melkfabriek, grafiek, graphics, kunst, Kunstruimte

Expositie grafische kunstvormen door Academiegroep KunstenHuis Idea Zeist

Modiveres, linosnede, Drager Meurtant, 2021

Kom kennismaken met de veelzijdigheid van de grafische kunst, een beeldende kunstvorm waarbij gebruik gemaakt wordt van verschillende druktechnieken zoals etsen, houtsnede, monoprint, lithografie en meer. De artistieke mogelijkheden van dit medium zijn eindeloos: van abstract tot figuratief, in zwart-wit of juist met veel kleur en van briefkaart- tot posterformaat. Zo heeft deze kunstzinnige verbeelding een kenmerkende uitstraling die eigen is aan het drukproces.

Vanouds worden grafische kunstvormen benut om de kunst toegankelijker te maken voor een breed publiek, van jong tot oud. De mogelijkheid om één beeld in grotere oplage te vervaardigen drukt de prijs.

Gedurende de openingstijden is steeds een aantal kunstenaars aanwezig om vragen te beantwoorden en uitleg te geven over procedés en de gebruikte technieken.

Deelnemers: Petra Staal, Drager Meurtant, Martien Op den Velde, Angelique van Vondelen, Marianne den Hollander, Jacomijn van Kempen, Jeanine Keuchenius en Jadwiga Everts

Locatie: Kunstruimte De Melkfabriek, Guldenvliesstraat 4H, 5211 AM, ’s Hertogenbosch

Openingstijden: vrijdag 4 t/m zondag 6 oktober & vrijdag 11 t/m zondag 13 oktober van 13 – 17 uur

Vernissage: zaterdag 5 oktober 15 – 17 uur

Positions (unaware – the fall)

30 Saturday Mar 2024

Posted by dragermeurtant in abstract, art, Dada, graphics, poetry

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collage, Dada, gedicht, kunst, poem, poetry, poezie

Basic terms  / (explain) / the fall as junction / between earth and / above.

Swift and silent / grades / of an approach / unwanted but inevitable.

Once steps were / made from / one position / the other ones followed / without thinking / ahead.

Positions (unaware – the fall)

Posities

(onbewust – de val)

Voorwaarden aan de basis / (verklaren) / de val als een verbinding / tussen de aarde en / daarboven.

Snelle en stille / stappen in een / benadering, ongewenst / maar onafwendbaar.

Toen treden waren / genomen van één positie / volgden de andere zonder / vooruit te denken.

(collage of monoprint fragments, 2020, part of Ben Uri Gallery Sales Exhibition, March 15-29, 2024)

Transformation

10 Sunday Mar 2024

Posted by dragermeurtant in art, assemblage, Dada, Decay, inside, kunst, photography, poetry, stones, street photography

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abandoned, art-with-a-mission, Dada, fotografie, History, kunst, leerfabriek, photography, poetry, poezie, travel

A visit to old leather factory in Oisterwijk (NL) May 8, 2014, combined with a view of paintings by WOLS in Museo Sofia Reina in the same year, Madrid (E) made me create assemblage.

old leather factory in Oisterwijk

With group of 12 photographers, we were allowed to search for good places to photograph.

One Way Out

One way out

“So, there is only one way out. // But there are no stairs. // There is no rope, no trampoline. // You have no wings even. // Knowing that the heat will become intolerable / how do you get out?!”

Concrete benches for machines
Crypt in the “church” named Leather Factory Oisterwijk, NL

Not to be seated

“Here one stands in awe / and one’s mind lingers / about those, who once were sitting on the benches. // But after what happened / the holiness of this sacred site / does not allow anyone to be seated here / anymore.”

Three Trestles under the Hatch

“Three trestles under the hatch: Even, / if the memory / of an empty room / with stone trestles, that once

all photos, texts & art (c) Drager Meurtant, 2014 – 2024


Terrace on the River Rhine / Terras aan de Rivier de Rijn)

29 Monday Jan 2024

Posted by dragermeurtant in poetry, river

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Dada, fotografie, gedicht, kunst, philosophy, photography, poetry, poezie

Today, the world looked safer / without sirens, no shooting till 14 hours / and the car moved smoothly

accross the border / separating two countries for long / only in war having been united by force.

One hour later, the friends did meet / first time in almost 4 months.

It took two hours to talk down / the big C that shaped lives / and for leaving the extra coat / worn for safety.

And then they took a dive where it was / forbidden / followed by coffee on / a terrace looking at the river Rhine.

(terras aan de rivier de Rijn)

Vandaag kwam de wereld veiliger over / zonder sirenes, geen schieten tot 14 uur / en de auto bewoog langzaam / langs de grens / die de twee landen lang had gescheiden / alleen verenigd in de oorlog / door macht.

Eén uur later, ontmoetten de vrienden / elkaar voor het eerst in bijna vier maanden. / Het nam twee uur om de grote C / omlaag te praten, die het leven beheerste / en om de extra jas – gedragen voor de veiligheid – achter te laten.

En toen doken ze in het water waar het verboden was / gevolgd door koffie op / een terras dat uitkeek op de rivier de Rijn.

Drager Meurtant, June 24, 2020 (during lift of first Covid19 lockdown, minor corrections Jan 29, 2024)

The Destiny of the Line / Het Lot van de Lijn

24 Wednesday Jan 2024

Posted by dragermeurtant in art, creation, Dada, Figurative art, graphics, kunst, poem, poetry, poezie, Uncategorized

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Dada, gedicht, kunst, monotype, philosophy, poetry, poezie, primitive

The line was drawn by / two fingers of a cramped / hand of the writer who wanted / words catched in image, this time / but halfway the paper / had to experience the line let / loose of the tip of the pencil,

and / next

moved freely through space / – that served the scene – / to land in the end / in a dash, or dot / on the ceiling.

Content – where the ink was scraped, there came content (DM, 2021, monoprint)

De lijn werd getrokken door / twee vingers aan de krampachtige / hand van de schrijver die woorden, nu eens / in beeld wilde vatten / maar halfweg het papier / moest ervaren dat de lijn los liet / van de punt van het potlood,

en / vervolgens

vrijelijk bewoog in de ruimte / – die plaats bood voor de scene – / om uiteindelijk te landen / in een vlek, of punt / op het plafond.

(Text & image / terkst en beeld, Drager Meurtant, 2021-2024)

Advise to Leave

08 Friday Sep 2023

Posted by dragermeurtant in art, death, defense, demography, development, History, installation, kunst, philosophy, poetry, society, tentoonstelling

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borders, Dada, kunst, Migration, philosophy, poetry

Drager Meurtant, “Frontex – 1”, 2023

Migration in animals and humans is of all times.

Often the drive is caused by the wish / need to improve living conditions and procreation.

However, the effects may be a disaster for groups indigenous for a specific area. The Black Death, or plague, caused by Yersinia Pestis is related to migration due to war or trade. In the Americas, the arrival of European conquerers did lead to massive slaughter by violence and introduction of diseases for which native people were very vulnerable.

In the 21st century, migration is composed of people hired by companies as well as refugees from counries stricken by war and / or poverty. Increasingly, migration is caused by consequences of climate change.

There is often resitance against the arrival of migrants, often with focus most at refugees.

Walls are created in Europe that exceed mileage manyfold as compared to the former ‘Iron Curtain’.

Still, demographic changes in Europe and some other areas lead to a shift towards old age and insufficient numbers of young workers to keep business going, and threats of deficient care for elderly people…

At NDSM-Fuse the exhibition – curated by Ellen Klijzing – with 35 artists has focus on the experience of refugees.

The contribution of Drager Meurtant deals with slogans / banners telling refugees to

“Go To Hell = If You Are Not From Here”

Next to the banner with this text, separate words on pieces of wood, as advised by the curator, are present to charge visitors in seeking for word combinations.

Drager Meurtant, “Frontex – 2”. 2023

Finally, the letters cut from carton to serve as template for the painted banner, are assembled as collage with additional transformation.

Drager Meurtant, “Frontex – 3”, 2023

NDSM-Fuse ON THE RUN (OP DE VLUCHT), September 1st 2023 – January 28th, 2024.

Amsterdam, NDSM-plein.

https://www.ndsm-fuse.eu/programma.html#content1-17f

Binnen of Buiten – Grenzen en Begrenzingen

01 Saturday Apr 2023

Posted by dragermeurtant in tentoonstelling, Uncategorized

≈ 1 Comment

Tags

begrenzingen, borders, boundaries, fotografie, grenzen, kunst, photography, poetry, poezie, sociologie

(With)in or (With)out – Borders and Boundaries

“We gaan op weg, ja, maar overal botsen we op grenzen:
Grenzen die anderen stellen: fysiek, met douanecontrole, hoge hekken of soms zelfs met landmijnen.
Of we botsen op limieten in normen en moraal.
En, vroeger of later stuiten we op grenzen die ons lijf of geest tegenkomt”

Tentoonstelling in Kunstruimte De Melkfabriek, ‘s-Hertogenbosch, 27 mei tm 18 juni, 2023

Drager Meurtant – Staande voor het hek, lino-snede, 2018

Achttien kunstenaars uit acht landen laten hun visie zien in beeld of woord. In bijgaand boek tevens vijf essays van Richard Candidá Smith, Zhinia Noorian, David Estrada, George Kabel en Drager Meurtant, en achtergrondinformatie over over achtergrond en motief van de kunstenaars en beeldmateriaal.

Deelnemende kunstenaars

Initiatief van kunstenaars Drager Meurtant (NL), Jeanine Keuchenius (NL) en Petra Senn (D)

Verder nemen deel:

Katherine Chang-Liu (USA), Brian Dickerson (USA), Nina Fraser (Portugal), Joris van Gennip (NL), Carlo Grassini & Bill Thomas (USA), Sylvia Hubers (NL), Michal Iwanoski (Poland / UK), George Kabel (NL), Max King Cap (USA), Anna-Maria Komorowska (D), Oliver Merce (RO), Dorothee Mesander (GR), Ruth Philo (UK), Martien Vogelesang (NL).

The Milkfactory / De Melkfabriek, Guldenvliesstraat4H, 5211 AM, ‘s Hertogenbosch, The Netherlands

Brian Dickerson: ‘Vroman’ is een drie-dimensionaal ‘constructed painting’ dat aansluit bij het thema ‘Grenzen en Begrenzingen’ door het loslaten van vaste, fysieke posities

Preview (op uitnodiging) op 26 mei vanaf 15 uur

Formele opening 27 mei 14 – 17 uur

Openingstijden: Za 27/5, Zo 28/5, Ma 29/5, Za 3/6, Zo 4/6, Za 10/6, Zo 11/6, Za 17/6, Zo 18/6

Dagelijks van 13 – 17 uur.

Bill Thomas & Carlo Grassini – Welcome, collage, 2021

Opposing, but no real harm done

08 Tuesday Nov 2022

Posted by dragermeurtant in art, Dada, Figurative art, graphics, kunst, philosophy, poetry, poezie, society

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animals, Dada, gedicht, horses, kunst, monoprint, opposition, philosophy, poetry, poezie, Tegenstelling

“The view of the other is confronting,

even dangerous, perhaps

threatening our lives”.

For horses

opposition may mean a bruise

or a bite

but no deep animosity

and mounting hard-feelings.

Misanthropy has no equine

equivalant.

Tegengesteld, zonder echt te kwetsen

“De kijk van de ander is confronterend,

zelfs gevaarlijk, misschien

voor ons levensbedreigend.”

Bij paarden,

betekent tegenstelling een beurse plek

of een beet

maar geen diepe vijandigheid

en groeiende animositeit.

Misanthropie kent geen

paarden equivalent.

(poetry and monoprint, DM, 2022, http://www.meurtant.exto.org))

The Answer

25 Saturday Sep 2021

Posted by dragermeurtant in abstract, art, Dada, death, kunst, photography, poem, poetry, poezie, Uncategorized

≈ 1 Comment

Tags

Dada, fotografie, gedicht, kunst, philosophy, photography, poetry, poezie, surrealism

This morning / or was it the other day?

a dead duck knocked on the door,

and did so several times. //

However,

the door did not give in,

but kicked back instead,

it did so with fierce strength. //

Unused to such movement,

this produced great tension,

a sudden ache, and as a result

the door vomited twice

(pain can do this) and decided

to resign from function.

The owner working in the backyard

was informed the same instant. //

All the while, still,

the dead duck had waited in vain

for a clear answer

at a question left

unspoken, but that was

part of the delivery. //

The owner, a clever person,

saw chances

by hiring the dead duck

for an entrance.

(c) Drager Meurtant, text and image, 25-09-2021

Dark and more // Donker en meer

24 Saturday Jul 2021

Posted by dragermeurtant in art, Dada, Decay, destruction, inside, philosophy, photography, poetry, street photography, Uncategorized, Urban nature

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abandoned, Dada, fotografie, industrial, kunst, philosophy, photography, poetry, poezie

Upon the entry of the enormous hall

the dark color on the floor

appeared to be caused by fire.

Arson, the extinction brigade thought

and kept the doors open.

The doors, that with some skylights

gave access to a bleak light

and the photographer.

Windows were not barred

as usual.

Some had had a party

Some had smashed the windows.

Those that aim for an answer

should formulate a question first

(NL tekst onderaan)

dark floor – 1

Dark floor – 2

emergency exit – break cylinder to open // nooduitgang – buisje breken om te openen

One open window

Open window and distant door

leftovers from a party

Broken window

Broken glass

Someone

Question one

Meer dan donker

Na het binnengaan in de enorme hal

bleek de donkere kleur op de vloer

te zijn ontstaan door brand.

Gesticht, dacht de blusbrigade,

en hierna bleven de deuren open,

Die met enkele dakramen

een bleek licht toegang gaven,

evenals de fotograaf.

Sommigen hadden een feestje

Sommigen hadden de ramen ingeslagen

Diegenen die uit is op een antwoord

dient eerst een vraag te stellen.

(c) Drager Meurtant ext & photos, July 24, 2021

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