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drager-meurtant

~ The world is made up of elements, catched by light-writing or assemblage.

drager-meurtant

Category Archives: street photography

Impasse

18 Saturday Oct 2025

Posted by dragermeurtant in History, photography, society, street photography, street-photography

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Berlin, city, dead-end, fotografie, photography, sign

A visit to Berlin, for us the first time since 2003, always brings a search for the past. What was built, what was destroyed, what restored. What are the echos…

“Meeting the past we noticed the dogmas

painted by forgotten doges on enamel plates

in a Berlin impasse.”

eine kleine Gasse in Berlin

“It is a fossil expression

appropriate for the time”

warning

“Washing and fill up with fuel of your vehicle is forbidden at this property”

photos and text (c) Drager Meurtant June-Oct 2025

Richess // Rijkdom

22 Thursday May 2025

Posted by dragermeurtant in art, Dada, kunst, outdoor, philosophy, photography, poetry, poezie, society, street photography

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blog, city, Dada, fotografie, gedicht, kunst, philosophy, photography, poetry, poezie

“Every day, every moment, seek for the richness of life.”

Locked (DM, Amsterdam)

“Elke dag, elk moment, zoek de rijkdom van het leven”

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

“Attentive, once the pain had vanished,

near the water level the transition was seen

of mass to infinity.”

Transition // Overgang (DM, Amsterdam)

“Met aandacht, nadat de pijn was verdwenen,

werd dichtbij het water de overgang gezien

van massa naar oneindigheid.”

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>.>>>>>>

“The broom had scrubbed / its hair to an end.”

Broom // Bezem (DM, Amsterdam)

“De bezem had de haren / geschrobd tot het einde.”

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

“The hand which reached toward richess

and the repair man of the broken glass

arrived one after the other.”

Richess // Rijkdom (DM, Amsterdam)

“De hand die reikte naar rijkdom

en de reparateur van het gebroken glas

kwamen na elkaar aan.”

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

“What do we learn from our errors?”

Error // Fout (DM, Amsterdam)

“Wat leren we van onze fouten?”

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

“Some creatures do not think about causes

or consequences,

but simply adapt to circumstances.”

Adaptation // Aanpassing (DM, Amsterdam)

“Sommige schepsels denken niet na over oorzaken

of gevolgen, maar passen zich eenvoudig aan

aan de omstandigheden.”

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Walking the city // Lopend door de stad, Amsterdam (NL) May 22, 2025.

(All images and texts (c) Drager Meurtant)

Three experiences // Drie ervaringen

17 Friday Jan 2025

Posted by dragermeurtant in art, Dada, Decay, installation, kunst, mental health, philosophy, photography, poetry, street photography

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abandoned, Dada, factory, fotografie, philosophy, photography, poetry, poezie

At the entry of doubt and hesitance / the sound of metal joints / was in glaring contrast / to the empty space.

Bij het binnenkomen van aarzeling en van twijfel / klonken de gewrichten van metaal / in schril contrast tot de lege ruimte.

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Once buildings start to crumble / and walls start to tumble / then true beauty is revealed. // One must seek for a second / and split structures into basic elements. // This brings us to insight” (Oppenheimer contemplating about The Big One). 

Wanneer gebouwen verpulveren / en muren instorten / dan komt de ware schoonheid tevoorschijn. // Je moet een seconde nemen / om daarna de structuur in basale elementen te splitsen. // Dat brengt ons inzicht. (Overweging van Oppenheimer over The Big One).

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

An empty prison comes in place / where glue runs past a stone’s cast. // No, people, / that is not for understanding / that is for nót understanding / where we stand without ground / under our feet.

Een leeg gevang komt te staan / waar lijm voorbij een steenworp holt. // Neen mensen: dat is niet om te begrijpen / dat is om níet te begrijpen / waar we staan zonder grond / onder onze voeten is.

Photos taken by Drager Meurtant in old Leather Factory Oisterwijk, NL, February 4, 2014

Texts (c) DM, 2014-2025

Inhabited

11 Sunday Aug 2024

Posted by dragermeurtant in Decay, defense, philosophy, poetry, street photography

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abandonned, fotografie, philosophy, photography, poetry, poezie, window

When locks fail / there is no need for keys.

Doors open freely / when people knock.

At night darkness closes / the access, safe, without sound.

Outside and inside are separated / by will, not by force.

Gäststatte zur alten Post, Witzhelden, NRW. Germany

Veiled

Your utter absence / was revealed by the texture
of these sheers used as veils / for protection against
unwanted looks.

text and photo (c) Drager Meurtant, 2024

On the Road to Paris

31 Wednesday Jul 2024

Posted by dragermeurtant in France, Le Pays, photography, poetry, street photography, Uncategorized

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Europe, fotografie, France, on the road, paris, photography, poetry, poezie, travel

The idea was to make a short trip to Paris by bus at the end of November 2023. Calculated time of departure 9.30 hours, which became 9.50 hours.

This seems like a dull road trip, at 2 hours 30 minutes on the way, N Belgium
A17 in N France, 4 hours on the way
About 4 hours and one minute on the way, now in N France

High way in N France, 5 hours and a minute on the way

On this road hoping for good or better / while seated on the front row in a bus / heading for La Ville Lumière (the City of Light) / rain came pouring, slashing the windows / and changing the experience into murk and flashing screen scenes / of viaducts crossing the motor road.

At the entry of the ‘Peage’ (Toll road), time 14.47 hrs

At the exit of the ‘Peage’ (Toll road) at 16.07 hrs

The driver from Eastern Europe / talking to another driver crossing / the content in a different direction / in their own language / endlessly.

In the tunnel (1)
In the tunnel (2)
At about 6.5 hours drive, Paris is near.

Still, the driver paid attention to the traffic on the road, the lights / and he drove peacefully to the terminus / at Gare de Bercy.

Getting close to the ‘Peripherique’
Readiness to remove our rubbish
Keep left for the Peripherique (at 16.39 hrs)
We are very near now, at 17.19 hours
Exit to Gare de Paris: Gare de Bercy.

Transformation

10 Sunday Mar 2024

Posted by dragermeurtant in art, assemblage, Dada, Decay, inside, kunst, photography, poetry, stones, street photography

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abandoned, art-with-a-mission, Dada, fotografie, History, kunst, leerfabriek, photography, poetry, poezie, travel

A visit to old leather factory in Oisterwijk (NL) May 8, 2014, combined with a view of paintings by WOLS in Museo Sofia Reina in the same year, Madrid (E) made me create assemblage.

old leather factory in Oisterwijk

With group of 12 photographers, we were allowed to search for good places to photograph.

One Way Out

One way out

“So, there is only one way out. // But there are no stairs. // There is no rope, no trampoline. // You have no wings even. // Knowing that the heat will become intolerable / how do you get out?!”

Concrete benches for machines
Crypt in the “church” named Leather Factory Oisterwijk, NL

Not to be seated

“Here one stands in awe / and one’s mind lingers / about those, who once were sitting on the benches. // But after what happened / the holiness of this sacred site / does not allow anyone to be seated here / anymore.”

Three Trestles under the Hatch

“Three trestles under the hatch: Even, / if the memory / of an empty room / with stone trestles, that once

all photos, texts & art (c) Drager Meurtant, 2014 – 2024


Half timbered houses / vakwerk huizen

10 Tuesday May 2022

Posted by dragermeurtant in art, assemblage, Dada, graphics, History, houses, kunst, landscape, Le Pays, photography, street photography, Uncategorized

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Dada, fotografie, half-timbered, holzschnitt, houses, houtsnede, landscape, photography, vakwerk, woodcut

From early youth, with walks in province of Limburg (NL) I was attracted by half timbered houses.

The architecture consists of a construction with partitions shaped by wooden beams, often made of oak, with in the partitions twigs with loam, later bricks.

Near Slenaken / bij Slenaken, Limburg, NL (Drager Meurtant, 2012)

Van mijn vroege jeugd, met wandeling in Limburg (NL) was ik aangetrokken door vakwerkhuizen.

De bouwstijl bestaat uit een constructie met vakken gevormd door ruwe, veelal wat gekromde balken, vaak van eiken, met in de vakken vroeger takken met leem, later baksteen.

Nu kunst tot m’n dagelijks leven behoort, is er vorm gegeven aan collage – relief van een vakwerkhuis.

“Haus zur Frieden” (Collage – Relief, Drager Meurtant, 2021)

In current time, with art being part of every day’s life, a half timbered hhouse was created with collage-relief.

This year, also wood cut was used to create an image of a hamlock with half timbered homes in the mountains.

Houses and mountains / huizen en bergen (DM, 2022)

En dit jaar is er ook het medium houtsnede aangewend om vorm te geven aan een gehucht in de bergen, bestaande uit vakwerkhuizen.

(for more see http://www.meurtant.exto.org)

A journey in the Pelopónnèsos (Πελοπόννησος) in 1978 (Part II)

15 Tuesday Feb 2022

Posted by dragermeurtant in archeology, Greece, History, landscape, nature, outdoor, photography, street photography, travel

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1978, analogue, fotografie, Greece, landscape, pelopònnésos, Peloponnese, photography

As indicated in previous post (December 11, 2021), my journey in Greece from Dimitsana onward continued as hike mostly on feet, with myself as only company. An imprecise map helped me define Adritsaina as next ‘goal’, and I had the sun, time and a compass as lead. The Arcadian hills grown with small greek oak trees were hot and dry. The day passed without meeting any bipeds, and only a greek turtle crossed my path.

Mountains in Arcadia
Greek tortoise (Testudo graeca) encounter underway

After mid-day, I had to take care not to get over-heated, but some rivers provided refreshment at times.

In hammock of Bardaki (Μπαρδάκι) I was invited – when filling water bottle at local pump – to have retsina and tomato salad in plenty olive oil on the veranda. The hospitable folks advised a cool moment at nearby river Alfeios.

Bardaki (Μπαρδάκι) houses (1)
Bardaki (Μπαρδάκι), the house with veranda

After passing through Andritsaina, and after following a small path through the hills, I came close to a temple with just a few visitors. Some supportive structures had been raised, as an early step towards conservation. It is now an Unesco Monument, and restoration would start in 2001, with a tent (hood) placed over the temple remains. This Temple of Apollo Epicurius at Bassae of Phigaleia has been raised in 5th century BC. In retrospect, the photo is unique with respict to point-of-view.

Temple of Apollo Epicurius at Bassae of Phigaleia, 5th century BC.

At the end of the next day I came to a place, where several big rectangular boulder stones had been neatly arranged providing a plateau to camp. I had arrived at the ancient site of Lycosura (Λυκόσουρα) with the temple of Despoina. At the nearby village an elderly lady had the key to small historic museum, with some big antique statues, and a lot of dust. The entree did cost two drachmes.

Ancient Lykosura (Λυκόσουρα), temple of Despoina (1)
Ancient Lykosura (Λυκόσουρα), temple of Despoina (2)

From there the trip continued on feet or by hitch hiking or bus, via Megalopolis to historic Argos, Mycene and coastal city of Nafplion. On the quay outside this city, several young people camped and took a swim in the sea, not bothering to put on cloths between dives. Several times during the day, a ripple of unrest traveled along this quay, when a police officer came to tell nudity would be punished.

View from port of Nafplion to Palamidi Castle (1978)

From Nafplion, a regular buss service brought tourists to ancient Mycene.

Castle of Mycene, with Agamemnon’s Palace in evening light, empty of tourists
Castle of Agamemnon, Mycene, the Lion Gate

From Nafplion an easy walk along busy motorway brought me to ancient Argos, with its huge amphiteatre.

Ancient Argos amphitheatre

In the city of Argos, a funeral service was hindered by the defect of historic funeral coach.

Motor trouble of funeral coach (Argos, 1978)

Small garages are scattered all over Greece, like here near Nafplion.

By ferry a short visit was brought to Spetse, the island where the book “The Magus” by author John Fowles is situated. By taking some distance to the tourist crowds, – talking about 1978 – at almost all places something of rural Greece could be found. I walked a few miles from the port, and near the lighthouse I got permission from the guard to camp with my little tent, after having accepted the offer of a glass of ouzo and some fresh tomatoes.

Evening view from lighthouse to port of Spetse.

From Spetse another ferry brought me to Pireas and a bus to Athens, and that is where this story ends.

Athens, temple of Zeus

A journey in the Pelopónnèsos (Πελοπόννησος) in 1978 (Part I)

20 Monday Dec 2021

Posted by dragermeurtant in Greece, History, landscape, nature, outdoor, photography, street photography, travel, Uncategorized

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1970s, Arcadia, fotografie, Greece, hike, landscape, mountains, pelopònnésos, Peloponnese, photography, rural

In July 1978 Jaap, a study pal and mountain hike companion, and I made a journey in Greece. We had trekked in several mountain regions since a few years. After arrival in Igoumenitsa by ferry from Brindisi (Italy), we hitchhiked south to Amfilochia in the back of an open truck.

On the road: blue house and honeysuckle

Restaurant (Estiatorion) in Amfilochia
An evening stroll along the promenade of Amfilochia

The next day brought us to Patras, a city with a history of thousands of years. Already inhabited in prehistoric times, it was an important centre in the Mycenean era. After one night camp there, we continued east to small coastal village of Diakofto.

Patras: fruit seller and Jaap posing for photo.

From Diakofto runs the “Odontotos Rack-railway” to Kalavrita. It was built between 1885-1895 and climbs steeply along a distance of 22 km. We followed a path besides and sometimes on the track, that rises in narrow cleft between steep rocks. At times a viper fled from being trapped on.

Ravin being part of Vourakos Gorge with rail track

In a small cafe in Kalavryta, we were met by suspicion and animosity, expressed by elderly woman rejecting to serve us greek coffee. A younger man could explain to her, we were not German but Dutch, and then the suspicion lessened. All this was related to the big massacre by the nazis in 1943, with over 300 men killed and many houses burned.

Walking further, we heard an one-pit motor and the same young man as mentioned above pointed to a nest with six eggs in the load of three wheeled pick-up motorcycle. This gift was followed by his offer to bring us to Anolousi.
Butcher and his wife and slaughtered sheep in Anolousi

Ano Lousi lies on plateau at 1100 m altitude. From here we followed the road to Kata lousi with about as many cars or trucks passing as flocks of sheep.

Plateau with Ano Lousi
The road from Ano Lousi to Kato Lousi
The author walking from Ano Lousi to Kato Lousi (photo by Jaap)

Near the evening we arrived by foot in the small village of Kastria. We explained our whereabouts, to what appeared to be the village elder, and soon were invited to have a glass of ouzo with several most older men at a table. Later, we were invited to join a party planned to visit the cave that had been discovered nearby, a few years earlier, by a shepherd who had lost a sheep. The party would take ‘William’, a former villager who had emigrated to the USA twenty years earlier, and who had just returned for a visit, to the site, and us alongside.

The entrance of the Kastria Cave

No ticket counter of parking for busses, yet to be seen. We were able to enter the cave for about 300 m, with the guide using an old mining-lamp (Davy lamp) and then were stopped by lakes. Nowadays, walking bridges have been created to gain acces much deeper.

Along the road from Kastria to Langadia: shepherd with milk goats

We hiked further to Klitoria and then to Dafni. On the outskirts of the small village of Dafni, there were more than ten threshing circles. These may have been created two thousand years ago… and are located in areas where the wind blows.

Village of Dafni with many threshing circles.
Mule and stake at threshing circle, still in operation.

From Dafni the path led to Langadia, on the busy and touristic road from Olympia to Tripoli. A steep climb to a street 100 m higher brought us back in more rural village atmosphere and we were offered small flat grass plateau for the tent.

Langadia sales man

From Langadia we walked to Dimitsana, about 10 km south. This mountain village at 1000 m height, played important role in Greep revolt against the Turkish occupants. To our great surprise, a Dutch couple arrived soon after we installed our camp outside this village. The surprise became even bigger when they turned out to be neighbours of Jaap. No previous talk about respective travels had been made. The encounter was a pure coincidence…

Historic mountain village of Dimitsana, in 1978

The next day, our path did split, with – Jaap heading for Athens to meet family, and I continued my path alone. This will be part of 2nd blog.

Dark and more // Donker en meer

24 Saturday Jul 2021

Posted by dragermeurtant in art, Dada, Decay, destruction, inside, philosophy, photography, poetry, street photography, Uncategorized, Urban nature

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abandoned, Dada, fotografie, industrial, kunst, philosophy, photography, poetry, poezie

Upon the entry of the enormous hall

the dark color on the floor

appeared to be caused by fire.

Arson, the extinction brigade thought

and kept the doors open.

The doors, that with some skylights

gave access to a bleak light

and the photographer.

Windows were not barred

as usual.

Some had had a party

Some had smashed the windows.

Those that aim for an answer

should formulate a question first

(NL tekst onderaan)

dark floor – 1

Dark floor – 2

emergency exit – break cylinder to open // nooduitgang – buisje breken om te openen

One open window

Open window and distant door

leftovers from a party

Broken window

Broken glass

Someone

Question one

Meer dan donker

Na het binnengaan in de enorme hal

bleek de donkere kleur op de vloer

te zijn ontstaan door brand.

Gesticht, dacht de blusbrigade,

en hierna bleven de deuren open,

Die met enkele dakramen

een bleek licht toegang gaven,

evenals de fotograaf.

Sommigen hadden een feestje

Sommigen hadden de ramen ingeslagen

Diegenen die uit is op een antwoord

dient eerst een vraag te stellen.

(c) Drager Meurtant ext & photos, July 24, 2021

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