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drager-meurtant

~ The world is made up of elements, catched by light-writing or assemblage.

drager-meurtant

Category Archives: landscape

One must search for peace

13 Saturday Sep 2025

Posted by dragermeurtant in landscape, Le Pays, mental health, nature, natuur, outdoor, philosophy, photography, poetry

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bark, fotografie, gedicht, heather, landscape, nature, photography, poetry, web

Buzzing mobile phones, steered by logarithms dictated by emperors that tear society apart were left behind. There are still ‘quiet’ places where insects tell other news. Those that survived the pest of ecocidal chemicals.

Web

catch

A heathy landscape harbors spiders / catching pollen-spreading bees.

Organic

Bark

The bark was fissured / a voice lamented /

blown apart,

yet unheard amidst / the turmoil, basic /

at an organic / glorification.

(photos and texts by Drager Meurtant, September 12-13, 2025)

Mountain hike in Parco Nazionale Val Grande 2010

15 Tuesday Jul 2025

Posted by dragermeurtant in Decay, History, italy, landscape, mountain hike, nature, outdoor, photography, travel

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"Parco Nazionale Val Grande", analog, camping, Europe, hiking, italy, landscape, mountains, nature, photography, travel

(An analog adventure)

In the summer of 2010 we made plan to hike in ‘greatest and wildest natural mountain park of Western Europe’.

By train arriving in Milano end of August 2010, the two of us checked in at Hotel Berna and had one day to explore the city.

Milano Cathedral
waiting for connection (Arona)

The third day a train took us to Premosello, and we hitch-hiked to Colloro. From there we walked to camp at alm of Chapella Madonna di Lut.

There the sole of one shoe turned out to be completely broken. We had to return and then take train to Domodossola to buy new shoes. Next attempt started in Mergozzo and we walked via Bracchio, towards Vercio with Sanctuaria Di Madonna de Grazio (camp). A lady very early in the morning sang for hours.

L’Oratorio della Beata Vergine delle Grazie

From there a long walk in beautiful mountain area and forest followed. On the way we passed many abandoned houses, alone on itself or in small group.

Forest and mountains in Parco Nazionale de Val Grande
Along the way, house of farmer

Our path continued via Cortecca to Alpa Ompio, from there north to Alpe Basseno then down to bridge “Ponte di Velina” crossing ravine with river, and further north to Velina and Baserga. A sign indicated that in 1944 partisans escaped from nazis with 50 prisoners at an enduring trek through these mountains.

Baserga, hide-out for partisans in WW-II (if memory is right…)

Route went further N. East to Baserga (signs indicating risky passage), Alpe Vota, Montazzo, a overgrown abandoned hamlock. The path became stairs and had steep crossings of rivulets.

note the sign…

Along the way we did encounter several abandoned houses in the woods.

someone created stone creatures…

At sundown and over 14 hours on the way we arrived at Corte de Merino, where we could set up the tent and have simple dinner.

In the morning the trail went to Cicogna, then followed sentiero Struttenheim (1891) towards Pogallo, where we had camp along the Rio Pogallo.

Rock cairn or stone man

Return was to Cigogna with several steep mountain clefts.

A mountain cleft of hundreds of feet…
A river deep down

 
 Then we went all the paved way to Rovegro (no hitch hike available), a village that looked like poverty ruled. There old roman way did lead us to Cossogno, after passing the “Ponte Romano di Cossogno e Cascate”.

Ancient houses

In this village citizens allowed us to camp on small terrace of the Campo de Sport for our last night in the mountains…

Camp in Cossogno

From Cossogno we hiked to Verbania where we took ferry across the Lago Maggiore to Baveno and boarded train to Milano.

On the ferry towards Baveno

Photos by Drager Meurtant 2010, analog film, taken with Chinon compact camera and Fuji film

Critic Building a Future // Criticus Bouwt een Toekomst (1)

04 Saturday Jan 2025

Posted by dragermeurtant in art, assemblage, Dada, defense, houses, installation, kunst, landscape, mental health, philosophy, poetry, poezie, society

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assemblage, Dada, kunst, landscape, oil-terminal, philosophy, poetry

In creating art, this artist examines human actions and the resulting society, with bonds and clefts.

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Bij het scheppen van kunst, onderzoekt deze kunstenaar het menselijk handelen en de maatschappij die hieruit volgt, met verbindingen en kloven.

The Oil Terminal at Dissension

After one village a second was build // and as so often / these contained two communities / with different beliefs. // After peevishness came quarrel / and this raised high: a full five meters. // The arrival of the oil-terminal / changed little apart from more fencing. // The bridge does not unite the inhabitants / but enables them to dwell on different paths.

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

De Olieterminal bij Tweespalt

Na één dorp werd een tweede gebouwd / en als zo vaak, / waren het twee gemeentes in het geloof. // Na wrevel kwam ruzie / en die liep hoog op en wel vijf meter. // De komst van de olieterminal veranderde weinig / behalve nog meer heining. // De brug verenigt geen bewoners, / maar maakt dat de wegen gescheiden voortgaan.

the oilterminal at dissension / de olieterminal bij tweespalt

(assemblage, 78x58x9 cm, DM, 2013)

The Trek (Modern Times)

27 Thursday Jun 2024

Posted by dragermeurtant in abstract, art, assemblage, development, installation, kunst, landscape, mental health, philosophy, poezie, society

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assemblage, Dada, gedicht, landscape, philosophy, poetry, poezie, sculpture, society, strain

Is there more pressure, a heavier load / a road more insidious?

The Trek (Modern Times) – I

Is the texture of existence ruder / and less predictable and / is nature no longer trustworthy / not even in ourselves?

The Trek (Modern Times) – II

Yes, with the objective to serve / ourselves most / we become more otherless.

The Trek (Modern Times) – III (detail)

Sculpture, assemblage of wooden laths, coated with A-1 cast and paint plus piece of soap in cloth coated with A1 cast; 59x45x33 cm.

(c) Drager Meurtant, June 2024

Stone Walls

17 Monday Jun 2024

Posted by dragermeurtant in archeology, Decay, defense, History, landscape, photography, society, Spain

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art, Castel, Decay, featured, fotografie, History, landscape, photography, poetry, Ruins, Spain, writing

(Castillo de Villalba en Cebolla, Toledo, Spain)

Stones were raised by many

hands and backs bend,

to create the walls for protection.

Castillo de Villalba en Cebolla – I

Begging for a raise

of pay did not work.

The trade-unions still had to be

invented.

Castillo de Villalba en Cebolla – II

Romans were forgotten

their road nearby used

for later people’s needs.

Castillo de Villalba en Cebolla – III

Foundations had been laid by

Islamic rule, in the XI – XII century,

while in later ages the Order of Templars

(los templarios) enforced the construction

and the walls were thick.

Castillo de Villalba en Cebolla – IV

The fortification aimed

to defend the strategic route

near the river Tajo along which

merchandise travelled.

Castillo de Villalba en Cebolla – V

Rulers that lived inside

the walls such as Juan-II of Castille,

did hold the reins of

arrogance.

Castillo de Villalba en Cebolla – VI

Thick walls are not meant

for enlightened minds.

all photos and texts (c) Drager Meurtant, May 17, 2018 – June 17, 2024

Borders and Fences

06 Thursday Jun 2024

Posted by dragermeurtant in archeology, art, assemblage, Dada, defense, demography, development, Figurative art, History, kunst, landscape, philosophy, poetry, rocks, society, Uncategorized

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assemblage, border, borders, boundaries, fences, frontiers, immigration, landscape, lens-artists, Migration, philosophy, photography, poetry, refugees, society

At the age of one year, the artist Drager Meurtant (b. 2012) wanted to create a vision of the world in it’s infancy.

With mountains, a lake and mystical homonoid figures standing idle.

“With a few”


“The mountains that I encountered, the swamps and gadflies: for milennia remained nearly unchanged: One time the first people came, or were Neanderthals earlier? People won, but whether that was the best outcome? “

In the years that followed, the increased tendency in our world to strengthen frontiers, raise walls, and push back ‘illegal’ immigrants, became a worry and cause to doubt progression of human society.

This did in 2023 lead to transformation of the above sculpture – assemblage, into “Borders and Fences”


The lake became a place for a small city with skyscrapers.

“Borders and fences – 1”


A high gate was raised, on a scale that in real life would be 10 m high, and that makes existing roads and path dead-ends.
And a refugee camp was created on the other side of the fence.

“Borders and fences – 2”

Two societies come into existence, populated by the ‘haves’ and the ‘have nots’.

“Borders and Fences – 3”

After the ‘Chinese Wall’ and the ‘Hardrian’s Wall’, modern society got to know the ‘Iron Curtain’, and became aware of the fences that separate Northern and Southern Korea. However, in 2024 the length of walls and fences that separate Israel from Palestine, the (U)SA from Mexico, and in several countries in Europe to impair crossing the borders for immigrants impossible stretch of thousands of kilometers…

“Borders and fences – 4”

All images and texts by Drager Meurtant, 2013 – 2024.

Half timbered houses / vakwerk huizen

10 Tuesday May 2022

Posted by dragermeurtant in art, assemblage, Dada, graphics, History, houses, kunst, landscape, Le Pays, photography, street photography, Uncategorized

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Dada, fotografie, half-timbered, holzschnitt, houses, houtsnede, landscape, photography, vakwerk, woodcut

From early youth, with walks in province of Limburg (NL) I was attracted by half timbered houses.

The architecture consists of a construction with partitions shaped by wooden beams, often made of oak, with in the partitions twigs with loam, later bricks.

Near Slenaken / bij Slenaken, Limburg, NL (Drager Meurtant, 2012)

Van mijn vroege jeugd, met wandeling in Limburg (NL) was ik aangetrokken door vakwerkhuizen.

De bouwstijl bestaat uit een constructie met vakken gevormd door ruwe, veelal wat gekromde balken, vaak van eiken, met in de vakken vroeger takken met leem, later baksteen.

Nu kunst tot m’n dagelijks leven behoort, is er vorm gegeven aan collage – relief van een vakwerkhuis.

“Haus zur Frieden” (Collage – Relief, Drager Meurtant, 2021)

In current time, with art being part of every day’s life, a half timbered hhouse was created with collage-relief.

This year, also wood cut was used to create an image of a hamlock with half timbered homes in the mountains.

Houses and mountains / huizen en bergen (DM, 2022)

En dit jaar is er ook het medium houtsnede aangewend om vorm te geven aan een gehucht in de bergen, bestaande uit vakwerkhuizen.

(for more see http://www.meurtant.exto.org)

A journey in the Pelopónnèsos (Πελοπόννησος) in 1978 (Part II)

15 Tuesday Feb 2022

Posted by dragermeurtant in archeology, Greece, History, landscape, nature, outdoor, photography, street photography, travel

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1978, analogue, fotografie, Greece, landscape, pelopònnésos, Peloponnese, photography

As indicated in previous post (December 11, 2021), my journey in Greece from Dimitsana onward continued as hike mostly on feet, with myself as only company. An imprecise map helped me define Adritsaina as next ‘goal’, and I had the sun, time and a compass as lead. The Arcadian hills grown with small greek oak trees were hot and dry. The day passed without meeting any bipeds, and only a greek turtle crossed my path.

Mountains in Arcadia
Greek tortoise (Testudo graeca) encounter underway

After mid-day, I had to take care not to get over-heated, but some rivers provided refreshment at times.

In hammock of Bardaki (Μπαρδάκι) I was invited – when filling water bottle at local pump – to have retsina and tomato salad in plenty olive oil on the veranda. The hospitable folks advised a cool moment at nearby river Alfeios.

Bardaki (Μπαρδάκι) houses (1)
Bardaki (Μπαρδάκι), the house with veranda

After passing through Andritsaina, and after following a small path through the hills, I came close to a temple with just a few visitors. Some supportive structures had been raised, as an early step towards conservation. It is now an Unesco Monument, and restoration would start in 2001, with a tent (hood) placed over the temple remains. This Temple of Apollo Epicurius at Bassae of Phigaleia has been raised in 5th century BC. In retrospect, the photo is unique with respict to point-of-view.

Temple of Apollo Epicurius at Bassae of Phigaleia, 5th century BC.

At the end of the next day I came to a place, where several big rectangular boulder stones had been neatly arranged providing a plateau to camp. I had arrived at the ancient site of Lycosura (Λυκόσουρα) with the temple of Despoina. At the nearby village an elderly lady had the key to small historic museum, with some big antique statues, and a lot of dust. The entree did cost two drachmes.

Ancient Lykosura (Λυκόσουρα), temple of Despoina (1)
Ancient Lykosura (Λυκόσουρα), temple of Despoina (2)

From there the trip continued on feet or by hitch hiking or bus, via Megalopolis to historic Argos, Mycene and coastal city of Nafplion. On the quay outside this city, several young people camped and took a swim in the sea, not bothering to put on cloths between dives. Several times during the day, a ripple of unrest traveled along this quay, when a police officer came to tell nudity would be punished.

View from port of Nafplion to Palamidi Castle (1978)

From Nafplion, a regular buss service brought tourists to ancient Mycene.

Castle of Mycene, with Agamemnon’s Palace in evening light, empty of tourists
Castle of Agamemnon, Mycene, the Lion Gate

From Nafplion an easy walk along busy motorway brought me to ancient Argos, with its huge amphiteatre.

Ancient Argos amphitheatre

In the city of Argos, a funeral service was hindered by the defect of historic funeral coach.

Motor trouble of funeral coach (Argos, 1978)

Small garages are scattered all over Greece, like here near Nafplion.

By ferry a short visit was brought to Spetse, the island where the book “The Magus” by author John Fowles is situated. By taking some distance to the tourist crowds, – talking about 1978 – at almost all places something of rural Greece could be found. I walked a few miles from the port, and near the lighthouse I got permission from the guard to camp with my little tent, after having accepted the offer of a glass of ouzo and some fresh tomatoes.

Evening view from lighthouse to port of Spetse.

From Spetse another ferry brought me to Pireas and a bus to Athens, and that is where this story ends.

Athens, temple of Zeus

A journey in the Pelopónnèsos (Πελοπόννησος) in 1978 (Part I)

20 Monday Dec 2021

Posted by dragermeurtant in Greece, History, landscape, nature, outdoor, photography, street photography, travel, Uncategorized

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1970s, Arcadia, fotografie, Greece, hike, landscape, mountains, pelopònnésos, Peloponnese, photography, rural

In July 1978 Jaap, a study pal and mountain hike companion, and I made a journey in Greece. We had trekked in several mountain regions since a few years. After arrival in Igoumenitsa by ferry from Brindisi (Italy), we hitchhiked south to Amfilochia in the back of an open truck.

On the road: blue house and honeysuckle

Restaurant (Estiatorion) in Amfilochia
An evening stroll along the promenade of Amfilochia

The next day brought us to Patras, a city with a history of thousands of years. Already inhabited in prehistoric times, it was an important centre in the Mycenean era. After one night camp there, we continued east to small coastal village of Diakofto.

Patras: fruit seller and Jaap posing for photo.

From Diakofto runs the “Odontotos Rack-railway” to Kalavrita. It was built between 1885-1895 and climbs steeply along a distance of 22 km. We followed a path besides and sometimes on the track, that rises in narrow cleft between steep rocks. At times a viper fled from being trapped on.

Ravin being part of Vourakos Gorge with rail track

In a small cafe in Kalavryta, we were met by suspicion and animosity, expressed by elderly woman rejecting to serve us greek coffee. A younger man could explain to her, we were not German but Dutch, and then the suspicion lessened. All this was related to the big massacre by the nazis in 1943, with over 300 men killed and many houses burned.

Walking further, we heard an one-pit motor and the same young man as mentioned above pointed to a nest with six eggs in the load of three wheeled pick-up motorcycle. This gift was followed by his offer to bring us to Anolousi.
Butcher and his wife and slaughtered sheep in Anolousi

Ano Lousi lies on plateau at 1100 m altitude. From here we followed the road to Kata lousi with about as many cars or trucks passing as flocks of sheep.

Plateau with Ano Lousi
The road from Ano Lousi to Kato Lousi
The author walking from Ano Lousi to Kato Lousi (photo by Jaap)

Near the evening we arrived by foot in the small village of Kastria. We explained our whereabouts, to what appeared to be the village elder, and soon were invited to have a glass of ouzo with several most older men at a table. Later, we were invited to join a party planned to visit the cave that had been discovered nearby, a few years earlier, by a shepherd who had lost a sheep. The party would take ‘William’, a former villager who had emigrated to the USA twenty years earlier, and who had just returned for a visit, to the site, and us alongside.

The entrance of the Kastria Cave

No ticket counter of parking for busses, yet to be seen. We were able to enter the cave for about 300 m, with the guide using an old mining-lamp (Davy lamp) and then were stopped by lakes. Nowadays, walking bridges have been created to gain acces much deeper.

Along the road from Kastria to Langadia: shepherd with milk goats

We hiked further to Klitoria and then to Dafni. On the outskirts of the small village of Dafni, there were more than ten threshing circles. These may have been created two thousand years ago… and are located in areas where the wind blows.

Village of Dafni with many threshing circles.
Mule and stake at threshing circle, still in operation.

From Dafni the path led to Langadia, on the busy and touristic road from Olympia to Tripoli. A steep climb to a street 100 m higher brought us back in more rural village atmosphere and we were offered small flat grass plateau for the tent.

Langadia sales man

From Langadia we walked to Dimitsana, about 10 km south. This mountain village at 1000 m height, played important role in Greep revolt against the Turkish occupants. To our great surprise, a Dutch couple arrived soon after we installed our camp outside this village. The surprise became even bigger when they turned out to be neighbours of Jaap. No previous talk about respective travels had been made. The encounter was a pure coincidence…

Historic mountain village of Dimitsana, in 1978

The next day, our path did split, with – Jaap heading for Athens to meet family, and I continued my path alone. This will be part of 2nd blog.

The reason hid in a distant place / De rede was ver te zoeken

22 Friday Jan 2021

Posted by dragermeurtant in landscape, nature, natuur, outdoor, philosophy, photography, poem, poetry, poezie

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aim, doel, filosofie, goal, nature natuur, philosophy, quest, zoektocht

the beginning / het begin
on the way / onderweg

Only after crossing trenches / and brooks, and raising / fallen trees upright, // followed by rubbing out / the dirty ground from narrow eyes, // and by calling loud: “I’m alone!” // motion started behind / the bushes.

Slechts na oversteek van greppels / en kreken, en het rechtzetten / van omgevallen bomen, // waarna de vuile grond uit geknepen ogen / werd gewreven , // en door luid te roepen: “ik ben alleen!” // kwam er beweging vanachter / het struikgewas.

wide canal // brede sloot
deep laying brook / diep gelegen beek

One thought, it is a goat, / fastened with ties and anxious, // the other believed to perceive / a superior power.

De één dacht, het is een geit, / vastgebonden en angstig, // de ander meende, een hogere macht / te ontwaren.

But something unmentionable / crept forward: “reason evades an explanation.”

Maar iets onnoembaars kroop / te voorschijn: “de rede laat zich niet verklaren”

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