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drager-meurtant

~ The world is made up of elements, catched by light-writing or assemblage.

drager-meurtant

Category Archives: death

Advise to Leave

08 Friday Sep 2023

Posted by dragermeurtant in art, death, defense, demography, development, History, installation, kunst, philosophy, poetry, society, tentoonstelling

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Tags

borders, Dada, kunst, Migration, philosophy, poetry

Drager Meurtant, “Frontex – 1”, 2023

Migration in animals and humans is of all times.

Often the drive is caused by the wish / need to improve living conditions and procreation.

However, the effects may be a disaster for groups indigenous for a specific area. The Black Death, or plague, caused by Yersinia Pestis is related to migration due to war or trade. In the Americas, the arrival of European conquerers did lead to massive slaughter by violence and introduction of diseases for which native people were very vulnerable.

In the 21st century, migration is composed of people hired by companies as well as refugees from counries stricken by war and / or poverty. Increasingly, migration is caused by consequences of climate change.

There is often resitance against the arrival of migrants, often with focus most at refugees.

Walls are created in Europe that exceed mileage manyfold as compared to the former ‘Iron Curtain’.

Still, demographic changes in Europe and some other areas lead to a shift towards old age and insufficient numbers of young workers to keep business going, and threats of deficient care for elderly people…

At NDSM-Fuse the exhibition – curated by Ellen Klijzing – with 35 artists has focus on the experience of refugees.

The contribution of Drager Meurtant deals with slogans / banners telling refugees to

“Go To Hell = If You Are Not From Here”

Next to the banner with this text, separate words on pieces of wood, as advised by the curator, are present to charge visitors in seeking for word combinations.

Drager Meurtant, “Frontex – 2”. 2023

Finally, the letters cut from carton to serve as template for the painted banner, are assembled as collage with additional transformation.

Drager Meurtant, “Frontex – 3”, 2023

NDSM-Fuse ON THE RUN (OP DE VLUCHT), September 1st 2023 – January 28th, 2024.

Amsterdam, NDSM-plein.

https://www.ndsm-fuse.eu/programma.html#content1-17f

Thinking about earlier times / Denkend aan vroegere tijden

19 Sunday Jun 2022

Posted by dragermeurtant in abstract, archeology, art, creation, Dada, death, graphics, Greece, History, mental health, philosophy, poem, poetry

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Dada, gedicht, grafiek, Greece, linocut, linosnede, philosophy, poetry, poezie

Clouds and sun, and earth:
where I rest, there is
crumbly clay that harbours
the memory of a face, of
a jar in Hellas,
of a teacher at school.

Lino-cut / linosnede, DM, 2021

Wolken en zon en aarde:
waar ik rust, daar koestert
kruimelige klei de herinnering
van een gezicht, van
een kruik in Hellas,
van een leraar op school.

Graphics edition one (DM, 25-05-2021), poem 03-04-2022

The Answer

25 Saturday Sep 2021

Posted by dragermeurtant in abstract, art, Dada, death, kunst, photography, poem, poetry, poezie, Uncategorized

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Tags

Dada, fotografie, gedicht, kunst, philosophy, photography, poetry, poezie, surrealism

This morning / or was it the other day?

a dead duck knocked on the door,

and did so several times. //

However,

the door did not give in,

but kicked back instead,

it did so with fierce strength. //

Unused to such movement,

this produced great tension,

a sudden ache, and as a result

the door vomited twice

(pain can do this) and decided

to resign from function.

The owner working in the backyard

was informed the same instant. //

All the while, still,

the dead duck had waited in vain

for a clear answer

at a question left

unspoken, but that was

part of the delivery. //

The owner, a clever person,

saw chances

by hiring the dead duck

for an entrance.

(c) Drager Meurtant, text and image, 25-09-2021

Growth and decay / Groei en verval

01 Sunday Nov 2020

Posted by dragermeurtant in death, Decay, mushrooms, nature, natuur, outdoor, photography, Uncategorized

≈ 4 Comments

Tags

bos, forest, fotografie, groei, growth, mushrooms, nature, natuur, paddestoelen, photography

In autumn, of all seasons, the co-existence of growth and decay is most palpable.

In de herfst, van alle seizoenen, is het naast elkaar bestaan van groei en verval het meest tastbaar.

A mycelium of mushrooms feeds and decomposes plant material into organic matter vital for growth of other life.

Het mycelium van paddenstoelen groeit op en verteert plantaardig materiaal in organische materie, die vitaal is voor ander leven.

The form can be delicate and tiny (1)

De vorm kan delicaat en klein zijn (1)

The form can be delicate and tiny (2)

De vorm kan delicaat en klein zijn (2)

The form can be delicate and tiny (3)

De vorm kan delicaat en klein zijn (3)

Sometimes shape is complex and huge

Soms is de vorm complex en reusachtig

Growing in a row

Groei op rij

The color grey

De kleur grijs

The color yellow

De kleur geel

The color red (and white)

De kleur rood (en wit)

Suillellus luridus. Easily mistaken for Boletus Satanus or Devil’s bolete (Rubroboletus satanas), the latter being poisonous.

Suillellus luridus. Kan verwisseld worden met Boletus Satanus or Devil’s bolete (Rubroboletus satanas), waarbij de laatste giftig is.

Growth started and even before a mature form was reached, decay started. A fixed condition becomes fluid.

Groei begon en zelfs voordat een volwassen vorm werd bereikt, startte het verval. Een solide vorm wordt vloeibaar.

Variation in matter

Verschil in materie

Up to the next story

Verder naar het volgende verhaal

Beds and Fences

06 Friday Dec 2019

Posted by dragermeurtant in death, Decay, History, kunst, landscape, outdoor, photography, street photography, Uncategorized

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bed spiral, fence, fotografie, gate, landscape, las hurdes, philosophy, photography, rural, Spain

People often buy a bed, when entering adulthood. A bigger bed, when living (and sleeping) together.

When getting old, the number of hours in bed often increases, even when sleep is more disturbed and irregular.

Then comes the time, that those who used the bed, will pass away.

In some regions, people tend to use the bed spiral base, that is left alone, for other purposes. Preferred is their use as part of a fence or gate.

Walking in Las Hurdes (Spain) in 2018, we encountered several such transformations.

DSC08776

Bed spiral turned into a fence (1)

 

DSC08782

Bed spiral turned into a fence (2)

 

DSC08777

Bed spiral turned into a fence (3)

 

DSC08714

Bed spiral turned into a fence (4)

One must not be surprised by the fact, that in the same environment, the number of abandoned houses is high.

DSC08746

House abandoned in Las Hurdes (Spain)

It need more research, to establish whether the transformation of (usable?) bed spirals inherited from parents or grandparents, is caused by unwillingness to sleep on such elements earlier used by people that have passed away, or by the wish to have better quality. Yet, the transformation into fences or gates has significance as signal of the border of states of existence.

 

DSC08786

“Curiosity and strangers / are good partners” (Las Hurdes, Spain, photos and text Drager Meurtant, 2018-2019)

Sense or no sense

14 Thursday Mar 2019

Posted by dragermeurtant in death, defense, internet, kunst, mental health, philosophy, photography, poem, poetry, poezie, society, street photography, Uncategorized

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antenna, antenne, connection, coping, Dada, digital, fotografie, gedicht, gezondheid, health, internet, kunst, philosophy, photography, poetry, poezie, verbinding

Where and when sense switches to no – sense, is illustrated by three poems and images.

Ears

The size of ears / devised to hear signals

of distant life

parallels / the loss of perception

from life nearby.

big ears

 

Call center

“Think simple and relax:

by moving this job to Asia / the lady has more time/ to go shopping

and that’s good/ for our economy.”

call center

 

Digital death

We are digitally / close to death

after loosing three / of our passwords

and having forgotten / the birthdate of

our parents.

The screen will snow / and our ears hear

the whistle of / the amazone

going by.

digital death

(photos and text (c) Drager Meurtant)

The wholeness of elements

31 Wednesday May 2017

Posted by dragermeurtant in art, assemblage, Dada, death, installation, kunst, poezie, Uncategorized

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assemblage, Dada, essential, fotografie, found-object, independent art, installation, kunst, philosophy, photography, poetry, poezie

An essay as Drager Meurtant, titled “Assemblages: the entrails explained”, has been published end of 2015 in Axon Journal Issue 9 (on assemblage, free on line access).

In the form of a poem, the essence of creation of assemblage can be formulated as follows:

Painting elements

Elementary pain / fits the precisionist. // When hammer hits thumb, / the outcry / of the artist / becomes the glue / of the assemblage. // And paint / drenches the pieces / into steady oneness.

painting elements

Assemblage, wood, metal, glass, paint; http://www.meurtant.exto.org (2014, in private collection)

Installations are different.

This artist must take more time to get to the essence of installations. Here are just two examples (first image, then text):

drone landed

Drone just landed in a meadow

This drone does not spy nor harm / except blades of grass / and only if pushed.
(One unique printed photo on aluminium available at 36 x 28 cm, 2013)

Bao strictcontor-2

Bao Strictcontor

In particular / at the end of day / is the bao strictcontor / subspecies Grohe / at its deadliest. / The bite can come / from the crane-shaped head / and also the circular mails / of the many tails / contain a stealthy poison / that at long stand-still / causes death of veterans. (80 x 40 x 25 cm, 2013)

 

Death on the internet

28 Saturday Jan 2017

Posted by dragermeurtant in death, internet, society, Uncategorized

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Tags

poetry, survival death internet heritance sociology humanity

Existential information

From time to time I check old emails, to see which of these at that moment has become obsolete and can be discarded. On some such occasions I may decide ‘to give it a try’: and will send an email to find out whether the connection still exists. And at the age past sixty, the occasions occur with increasing frequency on which the server responds with a text like ‘this address is not known at ‘YouMailMe-dot-Com’. Or, somewhat more striking, a reply comes with a text like this: “Thank you for your mail. My father died one year ago but we kept this address for a while, in order to inform those people we had not been able to locate to send a notice of his death.”

When posting photo’s on websites like www.flickr.com, I noticed another phenomenon typical of the digital era, expressed by the message on such website (or group within the website) that you and I visit, telling: “welcome <back> dear guest. And let us not forget the good work by Verena Ashley Connover (name invented by DM) who left us, but whose photos you still can find in the postings of our group”. Or, “Remember Verena, whose album we still cherish with joy”.

Some time ago I wrote a comment to an artist, via his website containing artwork that appealed to me. My words were aimed to express my appreciation, and a few weeks later were answered by a reply to my mailbox, telling that the artist’s son, out of esteem and admiration for his father, kept the website online for continued digital accessibility of his father’s artworks.

With graves in my country being excavated often at 50 years or even less after burial, one may wonder at which time the heirs of an individual might decide to stop such a website, or when welcoming messages like the above are erased/deleted.

My perception became more grounded, that a search nowadays on the web for signs of (life of) someone, with increasing frequency results in the impression that the person is indeed alive and kicking, whereas the truth is different.

dsc03769

The creation of a memorial

It is of course, an option to transform the website of someone that died, or the account of a deceased member on a social medium into a place to commemorate. When I searched the internet some months ago (April, 2016) with the words “a website to commemorate”, there was an immediate find.

And next, dear readers, I tested the web what it would produce for the words “death on the internet”, and no surprise, there is a Wikipedia page appearing. (https://en.wikipedia.org/wiki/Death_and_the_Internet).

In it, the phrase can be found “As the Internet age progresses it will come to a point where inactive accounts of deceased people will outnumber those of active users”.

And focus is on the position / attitude of several social media and large email providers, as to how these deal with the death of stakeholders.

For heirs and sometimes friends of a deceased, the responsibility arises how to deal with the digital inheritance, next to the need to organize a proper farewell of a friend or family-member.

The Wikipedia page mentioned above, even indicates the existence of organizations that safeguard one’s ‘digital inheritance’ and which only yield access to those persons that have been supplied by an ‘activation code’ by the holder during his/her lifetime. See it complimentary to the testimony you have arranged.

dsc03776

wired 

The unknown death

The above situation, of people that at first sight may seem alive, but only their presence on the internet has remained while their physical presence has ended is paralleled by a gap that will persist for the next 10-20 years. And now I’m talking about people of the present time, that do not exist on the internet. They have no account. They do not belong to people of whom a company or newspaper will announce a in memoriam after their death. These may be schoolmates of me, that I search for traces of digital existence, and no such trace is to be found. And we tend to forget that some people have no digital existence.

This short notice has no motto, no advise. It is just aimed to express my surprise.

(c) Drager Meurtant, 28-01-2017

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