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drager-meurtant

~ The world is made up of elements, catched by light-writing or assemblage.

drager-meurtant

Category Archives: art

Advise to Leave

08 Friday Sep 2023

Posted by dragermeurtant in art, death, defense, demography, development, History, installation, kunst, philosophy, poetry, society, tentoonstelling

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borders, Dada, kunst, Migration, philosophy, poetry

Drager Meurtant, “Frontex – 1”, 2023

Migration in animals and humans is of all times.

Often the drive is caused by the wish / need to improve living conditions and procreation.

However, the effects may be a disaster for groups indigenous for a specific area. The Black Death, or plague, caused by Yersinia Pestis is related to migration due to war or trade. In the Americas, the arrival of European conquerers did lead to massive slaughter by violence and introduction of diseases for which native people were very vulnerable.

In the 21st century, migration is composed of people hired by companies as well as refugees from counries stricken by war and / or poverty. Increasingly, migration is caused by consequences of climate change.

There is often resitance against the arrival of migrants, often with focus most at refugees.

Walls are created in Europe that exceed mileage manyfold as compared to the former ‘Iron Curtain’.

Still, demographic changes in Europe and some other areas lead to a shift towards old age and insufficient numbers of young workers to keep business going, and threats of deficient care for elderly people…

At NDSM-Fuse the exhibition – curated by Ellen Klijzing – with 35 artists has focus on the experience of refugees.

The contribution of Drager Meurtant deals with slogans / banners telling refugees to

“Go To Hell = If You Are Not From Here”

Next to the banner with this text, separate words on pieces of wood, as advised by the curator, are present to charge visitors in seeking for word combinations.

Drager Meurtant, “Frontex – 2”. 2023

Finally, the letters cut from carton to serve as template for the painted banner, are assembled as collage with additional transformation.

Drager Meurtant, “Frontex – 3”, 2023

NDSM-Fuse ON THE RUN (OP DE VLUCHT), September 1st 2023 – January 28th, 2024.

Amsterdam, NDSM-plein.

https://www.ndsm-fuse.eu/programma.html#content1-17f

Opposing, but no real harm done

08 Tuesday Nov 2022

Posted by dragermeurtant in art, Dada, Figurative art, graphics, kunst, philosophy, poetry, poezie, society

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animals, Dada, gedicht, horses, kunst, monoprint, opposition, philosophy, poetry, poezie, Tegenstelling

“The view of the other is confronting,

even dangerous, perhaps

threatening our lives”.

For horses

opposition may mean a bruise

or a bite

but no deep animosity

and mounting hard-feelings.

Misanthropy has no equine

equivalant.

Tegengesteld, zonder echt te kwetsen

“De kijk van de ander is confronterend,

zelfs gevaarlijk, misschien

voor ons levensbedreigend.”

Bij paarden,

betekent tegenstelling een beurse plek

of een beet

maar geen diepe vijandigheid

en groeiende animositeit.

Misanthropie kent geen

paarden equivalent.

(poetry and monoprint, DM, 2022, http://www.meurtant.exto.org))

Thinking about earlier times / Denkend aan vroegere tijden

19 Sunday Jun 2022

Posted by dragermeurtant in abstract, archeology, art, creation, Dada, death, graphics, Greece, History, mental health, philosophy, poem, poetry

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Dada, gedicht, grafiek, Greece, linocut, linosnede, philosophy, poetry, poezie

Clouds and sun, and earth:
where I rest, there is
crumbly clay that harbours
the memory of a face, of
a jar in Hellas,
of a teacher at school.

Lino-cut / linosnede, DM, 2021

Wolken en zon en aarde:
waar ik rust, daar koestert
kruimelige klei de herinnering
van een gezicht, van
een kruik in Hellas,
van een leraar op school.

Graphics edition one (DM, 25-05-2021), poem 03-04-2022

Mailart – Kloster / Cloister

05 Sunday Jun 2022

Posted by dragermeurtant in abstract, art, Dada, graphics, History, kunst, Mailart

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Cloister, collage, Kloster, Klostermuseum Zehdenink, landscape, Mailart, memory, monoprint

Vernissage anlässlich der Eröffnung des Klostermuseums Zehdenick, 12. Juni 2022: Mailart Kloster.

Vernissage to celebrate opening of Klostermuseum Zehdenick, June 12th, 2022: Mailart Cloister.

Galerist: Dr Christian Spunk Seipel.

Contribution / Beitrage Drager Meurtant (NL)

Memory the lines (DM, monoprint-collage, 2022)
Mark the lines (DM, monoprint-collage, 2022)

(www.meurtant.exto.org)

Address: Klosterscheune Zehdenick
Am Kloster 1
16792 Zehdenick

Deutschland / Germany

Half timbered houses / vakwerk huizen

10 Tuesday May 2022

Posted by dragermeurtant in art, assemblage, Dada, graphics, History, houses, kunst, landscape, Le Pays, photography, street photography, Uncategorized

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Dada, fotografie, half-timbered, holzschnitt, houses, houtsnede, landscape, photography, vakwerk, woodcut

From early youth, with walks in province of Limburg (NL) I was attracted by half timbered houses.

The architecture consists of a construction with partitions shaped by wooden beams, often made of oak, with in the partitions twigs with loam, later bricks.

Near Slenaken / bij Slenaken, Limburg, NL (Drager Meurtant, 2012)

Van mijn vroege jeugd, met wandeling in Limburg (NL) was ik aangetrokken door vakwerkhuizen.

De bouwstijl bestaat uit een constructie met vakken gevormd door ruwe, veelal wat gekromde balken, vaak van eiken, met in de vakken vroeger takken met leem, later baksteen.

Nu kunst tot m’n dagelijks leven behoort, is er vorm gegeven aan collage – relief van een vakwerkhuis.

“Haus zur Frieden” (Collage – Relief, Drager Meurtant, 2021)

In current time, with art being part of every day’s life, a half timbered hhouse was created with collage-relief.

This year, also wood cut was used to create an image of a hamlock with half timbered homes in the mountains.

Houses and mountains / huizen en bergen (DM, 2022)

En dit jaar is er ook het medium houtsnede aangewend om vorm te geven aan een gehucht in de bergen, bestaande uit vakwerkhuizen.

(for more see http://www.meurtant.exto.org)

The Answer

25 Saturday Sep 2021

Posted by dragermeurtant in abstract, art, Dada, death, kunst, photography, poem, poetry, poezie, Uncategorized

≈ 1 Comment

Tags

Dada, fotografie, gedicht, kunst, philosophy, photography, poetry, poezie, surrealism

This morning / or was it the other day?

a dead duck knocked on the door,

and did so several times. //

However,

the door did not give in,

but kicked back instead,

it did so with fierce strength. //

Unused to such movement,

this produced great tension,

a sudden ache, and as a result

the door vomited twice

(pain can do this) and decided

to resign from function.

The owner working in the backyard

was informed the same instant. //

All the while, still,

the dead duck had waited in vain

for a clear answer

at a question left

unspoken, but that was

part of the delivery. //

The owner, a clever person,

saw chances

by hiring the dead duck

for an entrance.

(c) Drager Meurtant, text and image, 25-09-2021

Dark and more // Donker en meer

24 Saturday Jul 2021

Posted by dragermeurtant in art, Dada, Decay, destruction, inside, philosophy, photography, poetry, street photography, Uncategorized, Urban nature

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abandoned, Dada, fotografie, industrial, kunst, philosophy, photography, poetry, poezie

Upon the entry of the enormous hall

the dark color on the floor

appeared to be caused by fire.

Arson, the extinction brigade thought

and kept the doors open.

The doors, that with some skylights

gave access to a bleak light

and the photographer.

Windows were not barred

as usual.

Some had had a party

Some had smashed the windows.

Those that aim for an answer

should formulate a question first

(NL tekst onderaan)

dark floor – 1

Dark floor – 2

emergency exit – break cylinder to open // nooduitgang – buisje breken om te openen

One open window

Open window and distant door

leftovers from a party

Broken window

Broken glass

Someone

Question one

Meer dan donker

Na het binnengaan in de enorme hal

bleek de donkere kleur op de vloer

te zijn ontstaan door brand.

Gesticht, dacht de blusbrigade,

en hierna bleven de deuren open,

Die met enkele dakramen

een bleek licht toegang gaven,

evenals de fotograaf.

Sommigen hadden een feestje

Sommigen hadden de ramen ingeslagen

Diegenen die uit is op een antwoord

dient eerst een vraag te stellen.

(c) Drager Meurtant ext & photos, July 24, 2021

A different tale

03 Thursday Dec 2020

Posted by dragermeurtant in art, Dada, inconspicious, inside, kunst, outdoor, photography, street photography, structure, Uncategorized

≈ 2 Comments

Tags

blur, elementary, haze, historic, inconspicious, inside, photography

The day of December two thousand and twenty, started with haze and drizzle, that kept some sort of lock over the day.

Still, face covered with mask in the train, we went to the city of Amsterdam, to visit the museum of photography ‘Foam’. Rarely do I make photos of photos. But there are other elements. My photos taken in the museum are given below, together with a few from the journey back home.

stubborn element (detail)
stubborn element (whole)

Now more than in earlier times, there is the need for refreshment of air within buildings.

grate for air vent (one)
Grate for air vent (two)

The artist Jan Schoonhoven might have found inspiration.

Grate for air vent (detail of one, B&W)

Somewhat hidden, there is a call for connectivity, dating from more than half a century ago.

electric wire and plugs

A crack in the window captures the focus.

crack in the window, museum Foam

Outside is different, but the view is still influenced. And strong light placed near historic facades of homes deviates the focus.

two lights near historic facade

While looking outside through the train windows, images are mirrors of movement.

speeds blurs the view outside (one)

There was no storm, just a train passing.

speed blurs the view outside (two)

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Feathers and cones / Veren en appels

16 Thursday Jan 2020

Posted by dragermeurtant in art, Dada, Greece, kunst, nature, outdoor, photography, poetry, poezie, Uncategorized

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black & white, cones, feathers, Greece, philosophy, photography, poem gedicht

Feathers and cones

What drives the wheel

to move around

to the image

to be seen,

the words

to appear in ink.

Just three feathers

amidst the cones of

cupressus sempervirens.

 

DSC09658 (2)

 

Veren en appels

Wat doet het wiel

rondgaan

naar het beeld dat

te zien valt

de woorden die

in inkt zichtbaar worden.

Slechts drie veren

temidden van de appels van

cupressus sempervirens.

 

(photo in Edessa, Hellas, May 2019, poem January 2020, (c) Drager Meurtant)

A house in the mountains

30 Wednesday Oct 2019

Posted by dragermeurtant in art, Decay, Greece, History, landscape, outdoor, photography, poetry, poezie, street photography, Uncategorized

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abandonned, bergen, Decay, departure, fotografie, Greece, Home, landscape, Macedonia, mountains, quiet, remote

There was someone, who built a home.

DSC09669

There was a home, built by someone, once.

DSC09670

Friends helped at times, I’m sure.

DSC09671

Someone is no more, at least not here.

DSC09673

(Perhaps this someone, is now in a senior home elsewhere)

DSC09672

The home gradually, becomes less, and less.

DSC09674

A view from the kitchen window

 

Outside, flowers grow.

DSC09667

(Travel in Macedonia, Greece. West of Orma, in the mountains, May 2019.)

(c) Drager Meurtant

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Categories

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